1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics‘
Played by his great-great-grandson Dave Edwards -at Wairarapa TV May Music Marathon on 4th of May 2019. It features on the Live 2019 album.
Continue reading “Here’s a Health to my Cronies (by John Collie, 1856)”
Live 2019 includes a post-gig interview with Dave Edwards by Nikki King.
We discussed the origins of fiffdimension (including where the name comes from), 19th century ancestors, life in the Wairarapa, and various projects, collaborators, and influences from New Zealand and abroad.
Nikki is the vocalist and trumpeter for Wairarapa postpunk band Spank, who also performed a set in the Wairarapa TV May Music Marathon that day.
In 2022, their drummer David Heath joined The Troubled Times, with Dave Edwards and Antony Milton!
An acoustic solo set, live at Wairarapa TV in Masterton, New Zealand
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube. The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
| 1. | Cafes in Conversation 01:19 |
| 2. | Seafriends 03:09 |
| 3. | Summer Skin 05:08 |
| 4. | Eastern 03:00 |
| 5. | 아리랑 (Arirang) 01:11 |
| 6. | The Blast of a Wintry Day (by John Collie, 1856) 03:55 |
| 7. | The Land of My Youth (by John Collie, 1856) 02:49 |
| 8. | Here’s a Health to My Cronies (by John Collie, 1856) 02:19 |
| 9. | The Marion Flow 03:33 |
| 10. | fiffdimension interview by Nikki King 16:12 |
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
On the other hand, musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while, eschewing dissonant improv, multitracking, live backing musicians or electronic trickery.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
Continue reading “Live 2019”31 July 2019
electric guitar and video by Dave Black,
Featherston, NZ.
One in a series of quickfire improvisations with video effects. Rather than finish an album before releasing anything in 2019, I’m opening a curtain on some of my demo ideas in progress.
This is what ‘partying like it’s 1999’ actually sounded like at the time:
“If only I could play guitar like that – bastard!” – Chris Knox
| 1. | Cafes in Conversation 03:44 |
| 2. | Banana Wizard 02:59 |
| 3. | I Don’t Need You (to Grind Me Down) 02:15 |
| 4. | Given in Clouds (a wedding) 04:05 |
| 5. | Chairs to Tie the Revolution Down 03:31 |
| 6. | Midwinter Night 03:35 |
| 7. | Locked Without March 04:02 |
| 8. | You Can’t Complain 04:48 |
| 9. | Open the Dogs 04:43 |
| 10. | Summer in Fairyland 03:28 |
| 11. | Tony Was Here (but they put him on ice) 03:19 |
| 12. | The Marion Flow 09:47 |
On this occasion I was privileged to be the opening act for Chris Knox. So this album is (obviously) dedicated to him.
Chris influenced generations of artists in NZ and abroad; his place in the pantheon is secure.
I was 20 years old, and had moved back to Wellington (my birthplace, though not my hometown). I had with me a cheap imitation Stratocaster; some notebook scribblings; a harmonica in my pocket; and an album and a half recorded.
Continue reading “Live 1999”Live 4th May 2019, at Wairarapa TV May Music Marathon, in Masterton NZ.
Solo guitar & harmonica version of track http://www.fiffdimension.bandcamp.com/track/summer-skin
Originally recorded in Wellington NZ, September 2003, for the album ‘Loose Autumn Moans‘, with a mini string section of Mike Kingston on cello and Sam Prebble (RIP) on violin. It also appears on the Gleefully Unknown: 1997-2005 compilation.
4th May 2019 live solo version at the Wairarapa TV May Music Marathon.
This song was originally recorded in June 2001, at Thistle Hall, Wellington. It was the opening track of the album The Marion Flow.
Since last year I’ve been getting back into playing solo acoustic. Here’s a 6 March 2019 version of ‘the Marion Flow‘:
It appears on the Live 2019 album:
Originally recorded in New Plymouth in 1999, it became the title track of my second album:
The 1999 recording had quite a different vibe – spoken word delivery, electric guitars panned left & right, and Paul Winstanley playing a cymbal through a pitch shifter, turning it into a deep sea gong sound.
On other occasions it became a rock riff, based around just an E note and its octave.
I was surrounded by wider & weirder music too. I moved to Wellington and found a kiwi avant-garde scene with free jazz, noise, and theatre gallore. We eventually finished The Marion Flow album in 2001, after recording sessions at Thistle Hall.
Both the live electric and acoustic versions appear on the
Two sides of a coin!
The lyrics are some of my favourite. They were scribbled in a notebook sometime in the late 90s. I was digesting the influence of literary modernism (eg lines like ‘yea take in that wake’ a shout out to James Joyce, using nouns as verbs and vice versa, and other general flouting of grammatical rules).
Taranaki and its coastlines inspired much of the atmosphere.
Continue reading “The Marion Flow, March 2019”
fiffdimension 