Dave on guitar and Antony on bass this time – a role reversal from our usual instruments – resulted in a distinctly different flavoured improv… a frenetic scratchiness.
โA virtual infusion of โants-in-the-pantsโ for the entomologically deficient.โ โAntony Milton
โThe album blendsAntony Miltonโs and my styles, with Dave Edwards often occupying a pivotal midpoint. Itโs an exhilarating session.โ โ Simon OโRorke
“Some seriously scrambled dissonance. 80โs vocals hits 60โs electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in musical careers.” – Simon Baker, What Lies Beneath
“Some seriously scrambled dissonance. 80โs vocals hits 60โs electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in some musical careers.” – Simon Baker, What Lies Beneath
(Dave solo – A-side is bass & electronics, B-side is clarinet & electronics)
Thank you SkirtedRecords for the video snippets, and Pyramid Club for hosting, Termite Lounge and Christian Wolves (Campbell Kneale and Sarah Bingle) for playing, Thomas Lambert for running the show, and everyone who came to the gig on Saturday! We had a blast… hopefully it won’t be another six years til the next time in Wellington!
The gig also marked the release of The Troubled Times’ new limited edition 7″ single Cellophane – only a couple of physical copies left so get in quick, or download from Bandcamp:
With all the subtlety of a peacock in a pigeon coop The Troubled Times return with a new album, dominated by the squeals of tortured amps and seriously tormented drums.
Boa features inadvertent post-rock gliding that crashes and bursts into jagged flames; some kind of illicit NZ spaghetti pizza western folds in on itself to become a fractalized polaroid of a dessicated lizard.
This tendency toward excess doesn’t preclude the odd lapse into a mumbled ad hoc song or 2 but the focus here seems to be on ‘loud’, ‘fucked’ and ‘intense’. The poor bloody neighbours…
Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.
Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand
The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.
The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.
The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).
“Double disc collection of more than two decadesโ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. Itโs quite a diverse listen!
You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noiseโฆ thereโs something here for everybody. A good intro to Daveโs dauntingly deep discography.”
A collection of short tracks by Dave Edwards and collaborators.
Celebrating 25 years of fiffdimension!
2CD double album. 35 tracks spanning 25 years. Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album.
Limited Edition classy glassy mastered CD Compact Disc (CD) + Digital Album Only 100 copies of this. Pro manufactured glass mastered CD packaged in 4 panel card wallet.
A contrasting companion piece, with all but the last track recorded the same day; a thoroughly kinetic affair bursting with energy and ecstatic passion.
“a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions. All recorded ‘New Zealand style’ in [my] garage.”
“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!
“[…] If aught can claim a spirit’s admiration, Sure it must be this beautiful creation“
“Double disc collection of more than two decadesโ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. Itโs quite a diverse listen!
“You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noiseโฆ thereโs something here for everybody. A good intro to Daveโs dauntingly deep discography.”
2CD double album. 35 tracks spanning 25 years. Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album.
“Electric (Yang)/Acoustic (Yin)ย boasts some wildly different tracks; short instrumentals (the guitar and percussion ofย King Street Boogie, the piano and birdsong ofย Tui and Grey Sky, the guitar, rain, and bucket- possibly oboe too- ofย Classical Rain Bucket), song-length instrumentals (the gorgeous and floatyย Kalbarri Coastline, the spaced-out psychedelia ofย Shuffling The Tarot,ย October Ringโssweet little guitar melody being countered by its evil twin sowing dissent and discord), spoken word over free-forming instruments (After The Filmshootย describing either a spiritual experience or very good drugsโฆ or both,ย @Bomb The Spaceย sounding like a guitar being attacked,ย Ornery Return Cravingsย spoken over sheer instrumental chaos), and occasionally, songs too (the stripped-back post-punk glory ofย Tony Was Here, the slithery, smoky, speakeasy feel ofย Cafes In Conversation,ย Invernoย creeping in like a fever-dream of The Cramps, and the beautiful, emotionally-chargedย Paetumokai (Pua pua i te Koanga)). Dave Edwards is a thoughtful and talented writer, composer, and performer. This double album ably demonstrates that, from the soft, delightful guitar ramblings onย Stromatolites, toย Wealth And Richesย that sounds for all the world like a battle to the death between a drumkit and a horde of toy robots.
“He doesnโt seem to so much want to push boundaries, as to act like heโs never heard of boundaries in the first place. At times soft and beautiful, at others dark and jarring, it makes for fascinating listening.” – Peter Malthus, muzic.nz