“Double disc collection of more than two decades’ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. It’s quite a diverse listen!
You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noise… there’s something here for everybody. A good intro to Dave’s dauntingly deep discography.”
A collection of short tracks by Dave Edwards and collaborators.
Celebrating 25 years of fiffdimension!
2CD double album. 35 tracks spanning 25 years. Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album.
Limited Edition classy glassy mastered CD Compact Disc (CD) + Digital Album Only 100 copies of this. Pro manufactured glass mastered CD packaged in 4 panel card wallet.
A contrasting companion piece, with all but the last track recorded the same day; a thoroughly kinetic affair bursting with energy and ecstatic passion.
“a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions. All recorded ‘New Zealand style’ in [my] garage.”
“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!
“[…] If aught can claim a spirit’s admiration, Sure it must be this beautiful creation“
For the third year in a row, we held a recording session on the first day of daylight savings – a short session of spaced out noisy psychedelic ‘rock jams’ this time.
A highlight this session was a bigger & louder bass amp!
Fizzy dreamy shambolic ramblings from the Wairarapa‘s dustiest garage. Instant songs committed to disk for posterity.
‘Another Sunday’ CD series
This was the first chapter in Antony Milton’s acclaimed ‘Another Sunday‘ series of CDs: anothersunday.bandcamp.com – different artists, each making an album with the same title.
The album title translates to “Gamelan Fifth Dimension”.
Gamelan was introduced to New Zealand in the 1970s. It has an active scene in Wellington (my birthplace, where I first encountered it in 2010 – thanks to www.gamelan.org.nz ).
From 2012-2014 I lived in Perth, Western Australia, and played in the ensemble Gamelan Sekar Puri. From there I was able to visit Indonesia (and Malaysia) relatively affordably.
On returning home to New Zealand at the end of 2014, I spent the next few years as a member of theWellington gamelanensembles: Gamelan Taniwha Jaya (Balinese) and Gamelan Padhang Moncar (Javanese). In 2017 I moved to the Wairarapa, so travelling for regular rehearsals became impractical.
The field recordings were made in 2014 in Indonesia -in central Java, then Baliand Nusa Penida islands;
As well as very different scenery, cultures, cuisines and religion – the islands have strikingly different subgenres of gamelan. Stereotypically, the Javanese style is more hypnotic and meditative, while the Balinese style is faster and complex.
Yogyakarta and Surakarta, Central Java
Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia, 2014
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Borobudur temple, Central Java, Indonesia
Javanese shadow puppets, Indonesia, 2014
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese shadow puppets, Indonesia
Javanese gamelan, Indonesia
Javanese gamelan, Indonesia
Javanese gamelan, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Javanese shadow puppets, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Central Java, Indonesia
Yogyakarta, Central Java, Indonesia
Bali and Nusa Penida
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Central Java, Indonesia
Nusa Penida, Indonesia
An endangered Bali Starling, Nusa Penisa, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Bali, Indonesia
Nusa Penida, Indonesia
Credits
Dave Edwards – saron, jublag, jegogan, field recordings, bass, electric guitar, tenor saxophone
The field recordings are mixed alongside gamelan ensembles, recorded between 2010-2018;:
all but the last track were recorded during the same session, on 28/05/23)
Elevate‘ is a thoroughly kinetic affair bursting with energy and ecstatic passion.
Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.