The Margins: 21/04/24

“A virtual infusion of ‘ants-in-the-pants’ for the entomologically deficient.” –Antony Milton

Recent (2024) recordings from a new combination of old collaborators – Antony Milton and Dave Edwards (The Troubled Times) with Wellington free-improv legend Simon O’Rorke.

“The album blends Antony Milton‘s and my styles, with Dave Edwards often occupying a pivotal midpoint. It’s an exhilarating session.” – Simon O’Rorke

Credits

Simon O’Rorke– falcon software synth
Dave Edwards– guitar, bass, electro-drums, harmonica
Antony Milton– guitar, drums, microphonic feedback

Recorded at Fleet Street, Masterton, NZ/Aotearoa on 21 April 2024
Cover art by Antony Milton

Tracklist

Continue reading “The Margins: 21/04/24”

Quietism (2024)

Early 2024 – the first new recordings made since the 25-year-spanning 2CD compilation; the start of the fiffdimension 2nd quarter-century.

Listen

Video

About

By Dave Edwards early 2024, summertime in NZ –

Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.


Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand

The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.

The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.

The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).

Tracklist

Continue reading “Quietism (2024)”

The Troubled Times: Another (****ing) Sunday

The first physical CD by The Troubled Times (Antony Milton, Dave Edwards, David Heath),

Fizzy dreamy shambolic ramblings from the Wairarapa‘s dustiest garage.
Instant songs committed to disk for posterity.

Another Sunday’ CD series

This was the first chapter in Antony Milton’s acclaimed ‘Another Sunday‘ series of CDs:
anothersunday.bandcamp.com – different artists, each making an album with the same title.

Other discs in the series include Michael Morley, Greymouth, Seht, Teen Haters, Perpets, and Sunset Temples

video

credits

released August 1, 2023

David Heath- drums
Dave Edwards– bass
Antony Milton– guitar/vocals
, video, CD producer

Continue reading “The Troubled Times: Another (****ing) Sunday”

The Troubled Times: Elevate

A contrasting companion piece to theAnother Sunday‘ CD

  • all but the last track were recorded during the same session, on 28/05/23)
  • Elevate is a thoroughly kinetic affair bursting with energy and ecstatic passion.

Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.

What more could you want? (well there’s The Troubled Times’ live debut coming up on 15 July….)

Videos

credits

Antony Milton – electric guitar Dave Edwards – bass David Heath – drums

releases July 15, 2023

Continue reading “The Troubled Times: Elevate”

The Wind Always Gets Through

Music video by The Troubled Times (Antony Milton, Dave Edwards, David Heath)

from the CD ‘Another Sunday’

Continue reading “The Wind Always Gets Through”

Assembling disconsonant

This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.

“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
Dr Emit Snake-Beings

Method

New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring ‘get back’ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement it… I’ve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title ‘assembling disconsonant’ describes the method?

meaning is optional

chance methods are supplementary

but starting with the bass part ensures the whole thing is built on a (human) groove

& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :

Lyrics

Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.

Far digressed – how far digressed at a woeful seed inconsolate engraver’s nest
How hard to be in vain

How many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a bird’s beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.

Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.

The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.

Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – he’d gotten off work at only 5:20…

credits

released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal

Recorded in Featherston, New Zealand, May 2023

The Troubled Times: Hill Road in Winter

The first physical format release from Masterton trio The Troubled Times is a loud and noisy nocturnal romp – through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

Whilst earlier digital releases have veered from arty drone pieces to synth pop and heavy space rock the music on ‘Hill Road In Winter’ is more like a psychedelic pub jam band gone BRILLIANTLY ‘wrong’. Woozy blues paeans slip sideways into feedback freakouts and heavy Hawkwind-like stomps attempt to transition into songs by The Fall.
All recorded ‘New Zealand style’ in my garage.

If we weren’t such raving greenies here at Small Town Electron we’d put this tape forward as the PERFECT album for a lengthy nocturnal drive. – Antony Milton

Cassette

Continue reading “The Troubled Times: Hill Road in Winter”

águas brilhantes: 2018​-​2022

“We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo (Oscar’s Blues) […] and songs taken from Poems & Lyrics (in the Scotch dialect) (1856)where Dave paid tribute to his ancestor John Collie who wrote a book of poems more than 150 years ago.

“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz

Listen

About

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.

My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.

This compilation includes pieces inspired by the region and my ancestors, and new and old collaborators – including a torch-passing to younger members of my family.

Credits1

by Dave Edwards – guitars, bass, banjo, harmonica, vocal, lyrics

with

released December 22, 2022

Tracklist

1.Nat da Hatt + James Robinson + Dave Black – June’s Lounge, part 2 02:08
2.The Electricka Zoo – Inverno (live at Escape Velocity, 2018) 03:47
3.Campbell Kneale + fiffdimension – Both Chords 02:07
4.Celeste Rochery – My Native Land (John Collie, 1856) 01:56
5.The Blast of a Wintry Day (John Collie, 1856 – live at Wairarapa TV, 2019) (bonus) 03:44
6.Clever Hansel – Sonnet on Summer (John Collie, 1856) 03:19
7.snakebeings + fiffdimension – Walu (Fiji) 03:02
8.snakebeings + fiffdimension – Io (Fiji) 01:31
9.Larry Irava – Isa Lei Lia (Fiji) 04:38
10.Ilhas Atlânticas (Manuel José Bernard, das Flores, 1862) 03:12
11.Here’s a Health to my Cronies (John Collie, 1856) 02:46
12.Auld Satan when ye first gae through (John Collie, 1856) 02:02
13.Logistical Torrents (lockdown 2020) 03:07
14.Guitar Ringtone 02:07
15.The Troubled Times – Blinking in Daylight (return of the sun, 2021) 03:05
16.Clever Hansel – The Land of my Youth (John Collie, 1856) 03:57
17.The Troubled Times – Wairarapa Bossa Nova 03:18
18.James Robinson + fiffdimension – Old Brain (metadada of Oceania remembering) 03:21
19.The Troubled Times – The Dying Monarch (John Collie, 1856) 03:05
20.Ilhas novos (do sul) 01:20
21.Classical Rain Bucket 01:41
22.James Robinson + The Troubled Times – The Edge (a Negentropic Diatribe) 03:25
23.Tony Was Here (live at the Miracle Room, 2022) 03:25
24.Oscar – Oscar’s Blues 01:28
25.By my faith sirs, this canna lang dee (John Collie, 1856) 04:04
26.さくらさくら / Paetumokai (Pua pua i te Kōanga) 02:10
27.O Henry Ending (live at the Miracle Room, 2022) 08:00

Features previously unreleased recordings, and tracks from

Further listening: the albums

Continue reading “águas brilhantes: 2018​-​2022”

The Troubled Times: A Second Sun

about

Loosely a sequel to The Troubled Times’ debut, Return of the Sun (2021) 

These new recordings were made exactly one year later – again on the first day of daylight savings, Spring 2022 in the southern hemisphere – now joined by David Heath on drums.

The anniversary prompted the title – then possible alternative meanings of which (binary star systems, colonising other planets) led down a science fiction wormhole…

credits

Recorded in Masterton, New Zealand, 25 September 2022

T-shirt – order here!

The Dying Monarch

The album also features a key crossover track, with the Poems & Lyrics by John Collie (1856) project:

This track links the various spoken word, electric improv, and folk strands of fiffdimension music. While the rest of Poems & Lyrics by John Collie (1856) is acoustic based, in this case, the electric arrangement seemed to add a ‘kingly’ majesty, and pathos – as the monarch discovers the limits of his worldly power.

“The monarch ceased. The courtier train shook, muttered, gazed and shook again.

They saw life’s dying embers fade, they felt the sting of horror’s blade.

Before them lay a lifeless form, which once with life had passions warmed.

The hand was stiff which oft had reigned, the warhorse and the prisoner chained.

A lifeless lump of senseless clay, the stern despotic monarch lay.” – John Collie (1834-1893)

(track also appears on fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856 )

Tracklist

Continue reading “The Troubled Times: A Second Sun”

w/ James Robinson – Negentropic Diatribes (2022)

Multimedia spoken word and music collaboration between two unique NZ artists:

Listen

About

James Robinson is a mid career contemporary New Zealand mixed media artist, exhibiting widely since 1989 – www.jamesrobinson.nz

fiffdimension is music and multimedia by Dave Edwards (aka Dave Black) and collaborators, since 1998 – www.fiffdimension.com

We met in the early 2000s, and finally collaborated 20 years on. Negentropic Diatribes was recorded in Otago in 2022, as James used spoken word recordings to discuss his creative process and innermost thoughts.

The musical settings were created by Dave in Featherston – plus contributions from other collaborators.

credits

  • James Robinson – words, voice, paintings & drawings, bell drum
  • Dave Edwards – electric guitar, bass, loops (2,6,9), midi (9,13), ukulele (11), harmonica (14)

with

Tracklist

1.Telescopic Misanthropy (take 1) 02:10
2.Tendrils of Glowing Memory Filaments 04:31
3.Nothing Can be Threatened by Nothing 04:19
4.James Robinson + The Troubled Times – The Edge 03:25
5.James Robinson + snakebeings + fiffdimension – Dialogue with the Divine 05:30
6.Well Done Son! 00:54
7.Old Brain (metadada of Oceania remembering) 06:19
8.James Robinson – Is Not Art 03:29
9.Existential Threat 01:02
10.Got Razed 07:34
11.James Robinson + snakebeings + fiffdimension – That which is itself nature 05:00
12.James Robinson + Trillion – Bath poem 10:31
13.Psychocultural Glossalalia 01:39
14.James Robinson + Nat da Hatt + fiffdimension – Ake Ake Amene 18:20

James Robinson

James won 2007 paramount prize in the wallace award for
” Taniwaha dragon mother ( spirit bones)”

Read more: w/ James Robinson – Negentropic Diatribes (2022)

‘… a great big flatulent belch of fresh air amongst all the tight-sphinctered, deodorised boys and girls of the accepted national art world….. off-kilter and threatening but always sumptuously, gloriously beautiful.’

– Chris Knox.
Continue reading “w/ James Robinson – Negentropic Diatribes (2022)”