The Winter: Exit Points (2015)

Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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The Winter at Pyramid Club, 2015

Thanks to Brent for the photos and to everyone who came along to the Pyramid Club on Thursday!

The Winter’s new album ‘Exit Points’ is now available!

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Mike Kingston

Mike Kingston is a multi-instrumentalist front-man and composer in bands such as Cumbia Blazera, ‘Bella Cajon‘ , ‘The Wagtails‘, and Phantasticus. He continues to perform regularly throughout Wellington and New Zealand.

From 2003-2015 he was a key member of The Winter (with Dave Edwards and Simon Sweetman).

He also played cello on Loose Autumn Moans (2003),

electric guitar in the 2003-2004 lineups of Ascension Band (in his San Shimla alias),

and acoustic guitar on (the Melbourne half of) After Maths & Sciences (2005).

Some of Mike’s other projects (besides the fiffdimension collaborations) include:

Simon Sweetman

Simon Sweetman is a Wellington NZ author and musician.

He is best known for his music criticism and poetry, and for his distinctive homemade ‘pots & pans’ percussion for The Winter (trio with Mike Kingston and Dave Edwards) and (more recently) Dirty Spoons, Yo (with Sam Walters);

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Simon blogs at https://simonsweetman.substack.com/ ;

and records spoken-word albums as Second Storey Teller;

his books include The Death of Music Journalism (2020),

and he has a new book coming out later in 2024…

Scratched Surface

The debut album from fiffdimension!

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox

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About

Scratched Surface is a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground. It includes both electric and acoustic tracks¹.

The title alludes to its status as a first effort from fiffdimension², with much more to come (‘scratching the surface’). It also suggests scratches on a disc, reflecting the lo-fi production values and a slightly ‘damaged’ pre-millennial teenager outlook.

I didn’t come from a conventional musical background. Instead of learning to play cover songs first, I skipped straight to writing my own³. The musicianship is rudimentary, and the lyrics are full of youthful angst – but also self-aware humour and ironic detachment.

“One day I’m gonna be a star, but I can’t be bothered to practice my guitar.

I’m not gonna sing you a cover song, ’cause I’d only make it sound all wrong.

I got the ‘can’t play for shit and my voice is shot to hell’ blues”

The album also includes early forays into free improvisation, in tracks like King Street Boogie and Eat the Noise.

It was recorded on analogue reel-to-reel and cassette tapes, and self-released on CD-R. The online reissue includes download-only bonus tracks and previously unreleased material.

Credits

Dave Edwards – acoustic and electric guitar, harmonica, vocal, lyrics
Tim McVicar – bass (2, 12, 14), percussion (3), electric guitar (12, 13)
Brett, Ross, Tammy, Dawn et al – percussion and vocals (15-16)

Recorded in New Plymouth, NZ, 1997-1998

Special thanks to Alastair Edwards, Keith Finnerty, Karl Taylor, Brian Wafer

New Plymouth, New Zealand

Tracklist

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Snake Beings

Dr Emit Snake-Beings – founder of the Hamilton Underground Film Festival, composer, musician and electrical shrine maker – is a New Zealand / British experimental filmmaker and musician. He has produced over 40 independently released film soundtrack CDs, and made a number of short experimental and narrative films in Spain, U.K. and New Zealand.

His music includes two duo albums with fiffdimension:

Ngumbang (Huia, 2014/15)

and

Ruasagavulu (Fiji, 2019/20)

He also appears on

Gamelan Dimensi Kelima (Indonesia)

His other projects include:

www.snakebeings.co.nz

Ngumbang

The first collaboration with even more legendary & underground NZ artist Snake Beings.

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About

Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists.

Performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

The title ‘Ngumbang’ is an Indonesian word that refers to the slight difference in tuning between a pair of gamelan instruments, which gives gamelan music its shimmering quality.

The album name reflects a shared interest in ethnomusicology and experimentation, and the almost-but-not-quite-equivalent approaches of these two artists.

The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.

Emit Snake-Beings,

who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz

Dave Black,

originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com

Tracklist

1.	Huia Vortex (feat. Nat da Hatt) 03:56
2.	The Feathered Serpent Sings Again 05:13
3.	Illbelly Gritts 03:57
4.	Watching a Painting Melt 01:47
5.	さくらさくら (Japanese folk song) – live at the Audio Foundation 04:52
6.	Pig in the Bamboo 01:47
7.	Live at Vitamin S (#1.5) 04:37
8.	Pick up the Pieces (after the gig) 04:48
9.	Pick up the Pieces (after the jam session) 04:45
10.	Ornery Return Cravings 02:40
11.	kuningan dan perunggu (Indonesian brass and bronze) 02:50
12.	So Long Notes 06:01

Further Listening

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Gamelan Taniwha Jaya 2015

Thanks to everyone who came to see Gamelan Taniwha Jaya play in Wellington recently!

Gopala

Tabuh Telu

In 2015 we’ve also performed at the Newtown Festival, the Southeast Asian Night Market, and Indonesia Day.

11949438_10153533387512380_2874393366942624543_n — Indonesian news article, 31/08/15, http://nasional.kompas.com

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Wellington Southeast Asian Night Market

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Here are a couple of recordings of two of the pieces we played:

https://soundcloud.com/user521325057/gopala-rehearsal-feb-2015/s-l3LrV

https://soundcloud.com/user521325057/margapati-rehearsal-feb-2015/s-rQW6u

These are in the Balinese gong kebyar style of gamelan, which is loud, fast, intricate and modernist. For more info see http://gamelan.org.nz/

Gamelan Taniwha Jaya is a group of New Zealand musicians dedicated to the study and performance of Balinese music. They specialise in contemporary music for Gamelan Gong Kebyar, and frequently incorporate western instruments into the ensemble. Continue reading “Gamelan Taniwha Jaya 2015” →

Dada Songwriting: Rejection dryrot ripple Gombage

Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.

Condo Encyclopedia coalseam egg 2:02

by Uneasy Chairs (USA, guitar) / T4x0n0m13s (España, bass + distortion pedal) / Dave Black (NZ, banjo) / Cylvi Manthyng (NZ, shaker)

Download entire album / View album at archive.org

Each contributor created two mins of raw sound – a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track – as & when they arrived in Corporal Tofulung’s inbox.
The title of the album was created by writing the 40 contributed words on individual pieces of paper & drawing them randomly out of a bucket. Continue reading “Dada Songwriting: Rejection dryrot ripple Gombage” →