1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
The Troubled Times (Antony Milton, Dave Edwards, David Heath) feature on this new compilation by Kentucky-based label Humanhood Recordings.
Available on limited edition double cassette.
Other artists include KNURL, EMIL BEAULIEAU, COCK ESP, Aaron Rosenblum, Thaniel Ion Lee, Mike Shiflet, Joe Tunis and more…
Live solo electric tracks, 2022-2024
Recorded at:
Dave Edwards – electric guitar, loop pedal, harmonica (2,5), e-drum (7), banjo (8), vocal, lyrics
John Collie (1834-1893) – lyrics (5-6)
The Troubled Times‘ first recording session of 2025.
Dave on guitar and Antony on bass this time – a role reversal from our usual instruments – resulted in a distinctly different flavoured improv… a frenetic scratchiness.
David Heath – drums (2-7), bass (8)
Dave Edwards – electric guitars, harmonica (6)
Antony Milton – bass (1-7), vocal (6), drums (8)
Recorded 20 January 2025, in Masterton, Aotearoa/NZ
Continue reading “The Troubled Times: dDA (2025)”
Happy new year! So far, in the early weeks of 2025, I‘ve:
Following the 25th anniversary of fiffdimension in 2023, it was in some ways tempting to leave it there, and retire…
… but I soon found myself creating new music in 2024:
January: Solo suite for electric guitar, bass and electronic percussion.
April: New combination of old free improv collaborators Simon O’Rorke and Antony Milton.
โA virtual infusion of โants-in-the-pantsโ for the entomologically deficient.โ โAntony Milton
โThe album blends Antony Miltonโs and my styles, with Dave Edwards often occupying a pivotal midpoint. Itโs an exhilarating session.โ โ Simon OโRorke
June-August: A pair of new albums from The Troubled Times (trio with Antony Milton and David Heath):
The Latest Poll marked a departure into semiacoustic freak folk; whereas Boa leaned more towards noisy electric rock.
June-July: Recorded a couple more of my ancestor’s poems for this epic acoustic/folk work-in-progress (& hoping to finish it off this summer when my nephews visit):
September: A long-overdue return (after six years!) to live performance in Wellington, and The Troubled Times‘ first appearance there at the Pyramid Club.
October: A career-spanning longform interview, telling my life story and the background influences behind the music.
October: An international performance across the ditch :
The Sydney performance can now be heard on the Live 2022-24 album:
November: A new solo 7″ on vinyl (first one since 2016):
“Some seriously scrambled dissonance. 80โs vocals hits 60โs electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in musical careers.” – Simon Baker, What Lies Beneath
December: A thoughtful birthday present (thanks Talei!): a t-shirt featuring the cover art from The Troubled Times’ A Second Sun album.
I also enjoyed a visit to my hometown of New Plymouth (& hope to play a gig there next time!)
2x new 7″ lathe cut singles:
“Some seriously scrambled dissonance. 80โs vocals hits 60โs electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in some musical careers.” – Simon Baker, What Lies Beneath
(Dave solo – A-side is bass & electronics, B-side is clarinet & electronics)
and
Discs manufactured in NZ by Johnny Electric
Continue reading “7″ singles”With all the subtlety of a peacock in a pigeon coop The Troubled Times return with a new album, dominated by the squeals of tortured amps and seriously tormented drums.
Boa features inadvertent post-rock gliding that crashes and bursts into jagged flames; some kind of illicit NZ spaghetti pizza western folds in on itself to become a fractalized polaroid of a dessicated lizard.
This tendency toward excess doesn’t preclude the odd lapse into a mumbled ad hoc song or 2 but the focus here seems to be on ‘loud’, ‘fucked’ and ‘intense’.
The poor bloody neighbours…
Tape version available at troubledtimestapes.bandcamp.com
Continue reading “The Troubled Times: Boa”Available on cassette or download –
The Latest Poll is the debut release for the new Troubled Times Tapes imprint, which will be releasing music by, and associated with, The Troubled Times.
A rare session out of Antony Milton‘s garage and into his lounge due to the frigid winter conditions. Also a departure from our usual psychedelic garage rock sound – we left our regular instruments behind and played mainly what was at hand, resulting in completely different sonic textures:
The result is a freakish free-folk psychedelic synth pop shambles that also somehow creates a comfy abode, a shelter from the stormy stormy night.
released June 13, 2024
Continue reading “The Troubled Times: The Latest Poll”“A virtual infusion of ‘ants-in-the-pants’ for the entomologically deficient.” –Antony Milton
Recent (2024) recordings from a new combination of old collaborators – Antony Milton and Dave Edwards (The Troubled Times) with Wellington free-improv legend Simon O’Rorke.
“The album blends Antony Milton‘s and my styles, with Dave Edwards often occupying a pivotal midpoint. Itโs an exhilarating session.” – Simon O’Rorke
Simon O’Rorke– falcon software synth
Dave Edwards– guitar, bass, electro-drums, harmonica
Antony Milton– guitar, drums, microphonic feedback
Recorded at Fleet Street, Masterton, NZ/Aotearoa on 21 April 2024
Cover art by Antony Milton
Early 2024 – the first new recordings made since the 25-year-spanning 2CD compilation; the start of the fiffdimension 2nd quarter-century.
By Dave Edwards– early 2024, summertime in NZ –
Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.
Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand
The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.
The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.
The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).
fiffdimension 