Guy Walker – turntables, cassettes (right channel)
Dave Edwards – bass, guitar, e-drum (left channel)


Recorded at the Bakehouse, Featherston NZ, 18/09/25
Continue reading “Featherston Free Sound Ensemble: First Experiments (2025)”1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
Guy Walker – turntables, cassettes (right channel)
Dave Edwards – bass, guitar, e-drum (left channel)


Recorded at the Bakehouse, Featherston NZ, 18/09/25
Continue reading “Featherston Free Sound Ensemble: First Experiments (2025)”Songs of the seasons, the forest and the sea, home and exile, mortality and immortality:
an adaptation of the book, “Poems and Lyrics (in the English and Scotch dialects)“ by John Collie, of Boyndie (1834-1893), with music by his descendants in New Zealand, between 2020-2025
“Songs from the harp and lyre – a fantastic flow back from the ancient days” – Dr Emit Snake-Beings
The album includes collaborations with my nephew Hans Landon-Lane, plus guest appearances by Antony Milton and Dr Emit Snake-Beings.
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
My great-great-grandfather published his book in 1856, before emigrating to New Zealand for the rest of his life.
Discovering this family outsider art precedent in 2018 cast fiffdimension in a whole new light! It sparked a seven-year project to record musical arrangements of his poems for a new century’s audience.
“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
Like his better-known countryman (and influence) Robert Burns, John Collie wrote in both English and Scots. The other half of the album is Poems & Lyrics in the Scotch Dialect
Continue reading “Poems & Lyrics (in the English dialect) (1856)”Songs of alcohol, death, the devil, rebellion, kinship, and love gone awry, from 19th century Scotland:
an adaptation of the book, “Poems and Lyrics (in the English and Scotch dialects)“ by John Collie, of Boyndie (1834-1893),
with music by his descendants, between 2018-2025 in New Zealand and France.
โSongs from the harp and lyre โ a fantastic flow back from the ancient daysโ โย Dr Emit Snake-Beings
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
Continue reading “Poems & Lyrics (in the Scotch dialect) (1856)”“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
Latest release from The Troubled Timesโฆ weirdly ‘relevant’ this year. And available on cassette.
A new collection of songs for the Times.
Starting off with a weirdly upbeat track recorded pre- US election the tone drifts somewhat astray as the collection proceeds.
Trying to find purpose amongst all the doom scrolling.
The Troubled Times (Antony Milton, Dave Edwards, David Heath) feature on this new compilation by Kentucky-based label Humanhood Recordings.
Available on limited edition double cassette.
Other artists include KNURL, EMIL BEAULIEAU, COCK ESP, Aaron Rosenblum, Thaniel Ion Lee, Mike Shiflet, Joe Tunis and more…
Live solo electric tracks, 2022-2024
Recorded at:
Dave Edwards – electric guitar, loop pedal, harmonica (2,5), e-drum (7), banjo (8), vocal, lyrics
John Collie (1834-1893) – lyrics (5-6)
The Troubled Times‘ first recording session of 2025.
Dave on guitar and Antony on bass this time – a role reversal from our usual instruments – resulted in a distinctly different flavoured improv… a frenetic scratchiness.
David Heath – drums (2-7), bass (8)
Dave Edwards – electric guitars, harmonica (6)
Antony Milton – bass (1-7), vocal (6), drums (8)
Recorded 20 January 2025, in Masterton, Aotearoa/NZ
Continue reading “The Troubled Times: dDA (2025)”Happy new year! So far, in the early weeks of 2025, I‘ve:
Following the 25th anniversary of fiffdimension in 2023, it was in some ways tempting to leave it there, and retire…
… but I soon found myself creating new music in 2024:
January: Solo suite for electric guitar, bass and electronic percussion.
April: New combination of old free improv collaborators Simon O’Rorke and Antony Milton.
โA virtual infusion of โants-in-the-pantsโ for the entomologically deficient.โ โAntony Milton
โThe album blends Antony Miltonโs and my styles, with Dave Edwards often occupying a pivotal midpoint. Itโs an exhilarating session.โ โ Simon OโRorke
June-August: A pair of new albums from The Troubled Times (trio with Antony Milton and David Heath):
The Latest Poll marked a departure into semiacoustic freak folk; whereas Boa leaned more towards noisy electric rock.
June-July: Recorded a couple more of my ancestor’s poems for this epic acoustic/folk work-in-progress (& hoping to finish it off this summer when my nephews visit):
September: A long-overdue return (after six years!) to live performance in Wellington, and The Troubled Times‘ first appearance there at the Pyramid Club.
October: A career-spanning longform interview, telling my life story and the background influences behind the music.
October: An international performance across the ditch :
The Sydney performance can now be heard on the Live 2022-24 album:
November: A new solo 7″ on vinyl (first one since 2016):
“Some seriously scrambled dissonance. 80โs vocals hits 60โs electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in musical careers.” – Simon Baker, What Lies Beneath
December: A thoughtful birthday present (thanks Talei!): a t-shirt featuring the cover art from The Troubled Times’ A Second Sun album.
I also enjoyed a visit to my hometown of New Plymouth (& hope to play a gig there next time!)
A big thank you to Radio Dolby 89.6FM for this podcast interview – hopefully an interesting audio documentary, and a chance to put the music (and stories behind it) over the years into context… here’s my life story so far, or at least a lot of the music parts!
Continue reading “Radio Dolby 89.6FM interview”