Old school cdr label out of back blocks New Zealand/Aotearoa releasing music by Agentsss and other lo-fi mystic wannabes
Antony Milton
About
Duo outing for The Troubled Times on this disk, ostensibly this is material Dave and Antony recorded while waiting for drummer David to show up for practice. He never showed up… More of a weird improv noise album this one- except for the ‘musical’ bits.. Kind of dreamy.
(But you know what dreams are like, cruising one minute- terror the next.)
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
Background
My great-great-grandfather published his book in 1856, before emigrating to New Zealand for the rest of his life.
Discovering this family outsider art precedent in 2018 cast fiffdimension in a whole new light! It sparked a seven-year project to record musical arrangements of his poems for a new century’s audience.
“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
Like his better-known countryman (and influence) Robert Burns, John Collie wrote in both English and Scots. The other half of the album is Poems & Lyrics in the Scotch Dialect
“Songs from the harp and lyre – a fantastic flow back from the ancient days” – Dr Emit Snake-Beings
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
Background
“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
Latest release from The Troubled Times… weirdly ‘relevant’ this year. And available on cassette.
Listen
A new collection of songs for the Times. Starting off with a weirdly upbeat track recorded pre- US election the tone drifts somewhat astray as the collection proceeds.
Recorded a new version for Poems & Lyrics by John Collie (1856). It includes acoustic bass and classical guitar. It’s set to the traditional Scottish tune ‘Skye Boat Song’, and starts with almost a doo-wop feel – before taking a darker turn, as the theme of bereavement is revealed:
“Some seriously scrambled dissonance. 80’s vocals hits 60’s electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in musical careers.” – Simon Baker, What Lies Beneath