alt country

Half way to summer, 21 June 2018

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Thursday 21 June, 8pm @ Fringe Bar

26-32 Allen Street, Wellington, NZ

fiffdimension is an umbrella name for music and multimedia projects by Dave Edwards, solo or with various collaborators. Shows may include acoustic songs, spoken word, distorted postpunk, free improvisation, lo fi electronica, Eurasian folk music, 19th century ballads, video installations, or all or none of the above.

www.facebook.com/fiffdimension
www.fiffdimension.com

MuscleMan are an alt. country band that write dark, sweet, melancholy songs about love, loss, and questionable life decisions. Their performances range from intimate, acoustic sessions, to loud, raucous, throw the drum kit into the crowd encounters. Most of all though, they play with feeling.

https://www.facebook.com/musclemannz/

Fredd Marshall is a sonic shaman. Using his voice he takes you on a journey to the unknown. Improvising loops, drones and overtones he will bring you to contemplate the universe and rethink what it means to be human. He has been to the realms of infinity and brought back treasures to share.

http://www.soundcloud.com/theshaman/

As a solo acoustic bassist, Vince Cabrera draws inspiration from sources such as the Argentine folk music of his childhood, American primitive guitarists such as John Fahey, and composer Erik Satie for a rich ambient, acoustic experience.

https://soundcloud.com/vince-cabrera-1

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The Marion Flow

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It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002

Turn-of-the-milennium fusion of warm acoustic pop, spoken word and postpunk discord. An almost-acknowledged New Zealand classic – of its time yet timeless.

$5 download includes hidden tracks, lyrics and original CDR artwork.

Edwards’ music is often a sculpture rather than a melodic composition. Within this chosen form, amongst all the writings rantings & poetry there’s much difficult pleasure to be had for the musically adventurous.” – Brent Cardy, Real Groove, July 2002

Produced by Paul Winstanley, & featuring Chris O’Connor (drums), Chris Palmer (electric guitars), Simon O’Rorke (percussion), the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999, and Thistle Hall, Wellington, 2001.

A companion to this album, recorded at the same sessions in Taranaki in 1999 is DDPP: Waiting For the Drummer

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After Maths & Sciences

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An Australian novel for the ear, recorded in Melbourne VIC and Gosford NSW in 2005 – by kiwis.

Here’s the music video for The Greenhough (free mp3) The sounds were recorded in Victoria (and a few seconds in South Australia) but the video footage was taken in Queensland!

Music by Dave Black – banjo, dictaphone, laptop, acoustic guitar, harmonica, drums / Cylvi Manthyng – phat beatz, shaker, shakuhachi / Francesca Mountfort – cello / Mike Kingston – acoustic guitar / various Australians


2006 | Reviewed by Simon Sweetman

“After Maths & Sciences was recorded by Dave Black (some may know him as David A. Edwards, and if you don’t, then check his website, or the compilation of earlier recordings,Gleefully Unknown 1997-2005) in two parts: From May-July of 2005 in Melbourne, during the winter….

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Loose Autumn Moans

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Recorded and mixed entirely on analogue equipment, and originally released on cassette in 2003, Loose Autumn Moans is the fourth album by New Zealander Dave Edwards (aka fiffdimension).

Featuring Sam Prebble & Mike Kingston

sam & san

and Simon Sweetman

simon w newspaper

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