The Troubled Times: Elevate

A contrasting companion piece to theAnother Sunday‘ CD

  • all but the last track were recorded during the same session, on 28/05/23)
  • Elevate is a thoroughly kinetic affair bursting with energy and ecstatic passion.

Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.

What more could you want? (well there’s The Troubled Times’ live debut coming up on 15 July….)

Videos

credits

Antony Milton – electric guitar Dave Edwards – bass David Heath – drums

releases July 15, 2023

Continue reading “The Troubled Times: Elevate”

Live in Masterton NZ, 24/6/23

Live in Masterton NZ, 24/6/23

Tracks from the Masterton gigs appear on

Live 2022-24

Thanks everyone !

Looking forward to returning on 15 July with The Troubled Times!

WHERE

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The Wind Always Gets Through

Music video by The Troubled Times (Antony Milton, Dave Edwards, David Heath)

from the CD ‘Another Sunday’

Continue reading “The Wind Always Gets Through”

The Winter: 2010

Newly discovered 2010 ‘lost recordings’ by The Winter

An improvised music trio of Mike Kingston, Dave Edwards, and Simon Sweetman

Includes live performances at Fred’s (the only known video of the band), and previously unheard recording sessions on 25-4-10 and 6-6-10.

http://www.fiffdimension.bandcamp.com/album/2010

credits

releases June 6, 2023

Continue reading “The Winter: 2010”

Assembling disconsonant

This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.

“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
Dr Emit Snake-Beings

Method

New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring ‘get back’ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement it… I’ve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title ‘assembling disconsonant’ describes the method?

meaning is optional

chance methods are supplementary

but starting with the bass part ensures the whole thing is built on a (human) groove

& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :

Lyrics

Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.

Far digressed – how far digressed at a woeful seed inconsolate engraver’s nest
How hard to be in vain

How many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a bird’s beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.

Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.

The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.

Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – he’d gotten off work at only 5:20…

credits

released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal

Recorded in Featherston, New Zealand, May 2023

Autumn (by John Collie, 1856)

It’s the first day of autumn (2023) here in the southern hemisphere (good riddance to Cyclone Gabrielle, which caused devastation in other parts of the North Island), so here’s a track from Poems & Lyrics (in the English Dialect) (1856):

Lyrics

AGAIN old Autumn murmurs from the hill , His annual toils already are begun ; His angry blast howls down the fertile vale , Gust after gust with melancholy moan .

Continue reading “Autumn (by John Collie, 1856)”

in a wildflower state (Western Australia, 2013)

In late 2012, after leaving Japan, I moved to Australia for the second time – this time to Western Australia for a couple of years…

in a wildflower state is a lost album – recorded in Perth WA and surrounding regions, between 2012-2014 – unreleased at the time.

The music here is rustic, reflecting the vast ancient arid landscape, overlaid with touches of Nyoongar and bogan sounds. It  includes appearances by Nat da Hatt, Cylvi M, and Renato Salvador.

Videos

Tracklist

1.Didgeridoo overture / overkill 01:47
2.Dry wind (Fremantle doctor) 01:26
3.Nat da Hatt + fiffdimension – The Road to Bogandoor (Australian election 2013 mix) 03:46
4.Sandalwood & Quandong 04:38
5.Ukulele & magpies 01:23
6.Kalgoorlie super pit 04:25
7.Brazilian BBQ (ft Renato Salvador) (bonus) 04:33
8.Rabbit proof fence (bonus) 03:19
9.Nat da Hatt + fiffdimension – The Horror (sports mix) (bonus) 03:35
10.Scabbers’ beach 02:45
11.Cylvi M – Ode to Ed Kuepper 01:06
12.Mundaring Weir 01:49
13.Stomping in Freo (bonus) 02:17
14.Kalbarri coastline 04:55
15.Stromatolites 01:49
16.Inverno ’13 (Indian Ocean sunsets)

Life in Western Australia, 2012-2014

Known as ‘the Wildflower State’, Western Australia covers an enormous area – the size of India, but with a population of under three million. Metaphorically, to be a ‘wildflower’ can also mean a wandering spirit or traveller (such as a kiwi expat on an OE).

Continue reading “in a wildflower state (Western Australia, 2013)”

The Troubled Times: Hill Road in Winter

The first physical format release from Masterton trio The Troubled Times is a loud and noisy nocturnal romp – through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

Whilst earlier digital releases have veered from arty drone pieces to synth pop and heavy space rock the music on ‘Hill Road In Winter’ is more like a psychedelic pub jam band gone BRILLIANTLY ‘wrong’. Woozy blues paeans slip sideways into feedback freakouts and heavy Hawkwind-like stomps attempt to transition into songs by The Fall.
All recorded ‘New Zealand style’ in my garage.

If we weren’t such raving greenies here at Small Town Electron we’d put this tape forward as the PERFECT album for a lengthy nocturnal drive. – Antony Milton

Cassette

Continue reading “The Troubled Times: Hill Road in Winter”

2022 roundup

fiffdimension vol4, águas brilhantes: 2018​-​2022, sums up the last few years’ here:

2022‘s been a particularly productive year… there’s a (mostly) solo instrumental album (also ft Oscar the dog);

two albums by the Troubled Times – collaboration with Antony Milton now a trio with David Heath on drums;

recordings with my nephews Hans and Rhys Landon-Lane towards Poems & Lyrics by John Collie (1856) – with words written by our ancestor;

and a multimedia spoken word + improvised music collaboration with the award-winning painter James Robinson;

águas brilhantes: 2018​-​2022

“We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo (Oscar’s Blues) […] and songs taken from Poems & Lyrics (in the Scotch dialect) (1856)where Dave paid tribute to his ancestor John Collie who wrote a book of poems more than 150 years ago.

“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz

Listen

About

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.

My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.

This compilation includes pieces inspired by the region and my ancestors, and new and old collaborators – including a torch-passing to younger members of my family.

Credits1

by Dave Edwards – guitars, bass, banjo, harmonica, vocal, lyrics

with

released December 22, 2022

Tracklist

1.Nat da Hatt + James Robinson + Dave Black – June’s Lounge, part 2 02:08
2.The Electricka Zoo – Inverno (live at Escape Velocity, 2018) 03:47
3.Campbell Kneale + fiffdimension – Both Chords 02:07
4.Celeste Rochery – My Native Land (John Collie, 1856) 01:56
5.The Blast of a Wintry Day (John Collie, 1856 – live at Wairarapa TV, 2019) (bonus) 03:44
6.Clever Hansel – Sonnet on Summer (John Collie, 1856) 03:19
7.snakebeings + fiffdimension – Walu (Fiji) 03:02
8.snakebeings + fiffdimension – Io (Fiji) 01:31
9.Larry Irava – Isa Lei Lia (Fiji) 04:38
10.Ilhas Atlânticas (Manuel José Bernard, das Flores, 1862) 03:12
11.Here’s a Health to my Cronies (John Collie, 1856) 02:46
12.Auld Satan when ye first gae through (John Collie, 1856) 02:02
13.Logistical Torrents (lockdown 2020) 03:07
14.Guitar Ringtone 02:07
15.The Troubled Times – Blinking in Daylight (return of the sun, 2021) 03:05
16.Clever Hansel – The Land of my Youth (John Collie, 1856) 03:57
17.The Troubled Times – Wairarapa Bossa Nova 03:18
18.James Robinson + fiffdimension – Old Brain (metadada of Oceania remembering) 03:21
19.The Troubled Times – The Dying Monarch (John Collie, 1856) 03:05
20.Ilhas novos (do sul) 01:20
21.Classical Rain Bucket 01:41
22.James Robinson + The Troubled Times – The Edge (a Negentropic Diatribe) 03:25
23.Tony Was Here (live at the Miracle Room, 2022) 03:25
24.Oscar – Oscar’s Blues 01:28
25.By my faith sirs, this canna lang dee (John Collie, 1856) 04:04
26.さくらさくら / Paetumokai (Pua pua i te Kōanga) 02:10
27.O Henry Ending (live at the Miracle Room, 2022) 08:00

Features previously unreleased recordings, and tracks from

Further listening: the albums

Continue reading “águas brilhantes: 2018​-​2022”