A track from the Loose Autumn Moans album – originally recorded in 2003, and recently played live for the first time in 20 years!
Category: Music
The Troubled Times: live at Common Ground 15/07/23
Thank you everyone who came to The Troubled Times‘ live debut, in Featherston NZ
Featherston NZ, 15/7/23
Antony Milton – guitar David Heath – drums Dave Edwards – bass
Mānawatia a Matariki!
Thanks also to Zac and Holly Winterwood,
Continue reading “The Troubled Times: live at Common Ground 15/07/23”Gamelan Dimensi Kelima (Indonesia, 2014)
Field recordings and gamelan from my visits to Indonesia in 2014.
As well as the tracks recorded in Indonesia, the album includes gamelan ensembles in Western Australia, and NZ between 2010-2018.
Listen
About
The album title translates to “Gamelan Fifth Dimension”.
Gamelan was introduced to New Zealand in the 1970s. It has an active scene in Wellington (my birthplace, where I first encountered it in 2010 – thanks to www.gamelan.org.nz ).
From 2012-2014 I lived in Perth, Western Australia, and played in the ensemble Gamelan Sekar Puri. From there I was able to visit Indonesia (and Malaysia) relatively affordably.
On returning home to New Zealand at the end of 2014, I spent the next few years as a member of the Wellington gamelan ensembles: Gamelan Taniwha Jaya (Balinese) and Gamelan Padhang Moncar (Javanese). In 2017 I moved to the Wairarapa, so travelling for regular rehearsals became impractical.
The field recordings were made in 2014 in Indonesia -in central Java, then Bali and Nusa Penida islands;
As well as very different scenery, cultures, cuisines and religion – the islands have strikingly different subgenres of gamelan. Stereotypically, the Javanese style is more hypnotic and meditative, while the Balinese style is faster and complex.
Yogyakarta and Surakarta, Central Java
Bali and Nusa Penida
Credits
- Dave Edwards – saron, jublag, jegogan, field recordings, bass, electric guitar, tenor saxophone
The field recordings are mixed alongside gamelan ensembles, recorded between 2010-2018;:
- Gamelan Taniwha Jaya
– Wellington NZ, – led by Gareth Farr - Gamelan Sekar Puri
– Perth, Western Australia – led by Sofari Hidayat - Gamelan Pura Mangkunegaran
– Surakarta, Indonesia - Gamelan Padhang Moncar
– Wellington NZ – led by Budi Putra
Other collaborators
The album also includes other, more experimental Indonesia-inspired 2010s collaborations with fellow postpunk expat ethnomusicologists:
- Emit Snake-Beings– field recordings, harmonium, percussion (5,9,10)
- Nat da Hatt – electric guitar & beats (8)
- Cylvi M – jegogan (1), saron (3), shakuhachi sample (9)
Tracklist
Auld Satan when ye first gae through
A ‘darker’ piece from Poems & Lyrics by John Collie (1856)
An electric arrangement also appears on Live 2022-24
Lyrics
AULD Satan , when ye first gae through Your regions dark and awful , A sma ‘ bit favour I would crave , Gif ye but think it lawful .
Gie my respects to Souter Will , The first time ye forgather ; And tell him that I’m wae to think Him lost for a ’ thegither .
For ministers and others say He straught to you was taken ; ‘ Cause he the creed o ‘ Scotland’s kirk Had mony a day forsaken .
Gif that be true , as it may be , Though faith I’m misbelieving , You ne’er met wi ‘ a slier coof , Since ye took to deceiving.
But use him well , and gif ye can , Oh gie ‘ im a bit promotion ; O ‘ a ‘ your buts and a ‘ your bens He ‘ shortly hae a notion .
But keep him aye beneath your thumb , And work him smooth and sweetly ; Or o’er your head he’ll tak your trade , And dam your luck completely .
credits
from Poems & Lyrics (in the Scotch dialect) (1856), releases August 10, 2023
The Troubled Times: Elevate
A contrasting companion piece to the ‘Another Sunday‘ CD –
- all but the last track were recorded during the same session, on 28/05/23)
- Elevate‘ is a thoroughly kinetic affair bursting with energy and ecstatic passion.
Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.
What more could you want? (well there’s The Troubled Times’ live debut coming up on 15 July….)
Videos
credits
Antony Milton – electric guitar Dave Edwards – bass David Heath – drums
releases July 15, 2023
Continue reading “The Troubled Times: Elevate”Live in Masterton NZ, 24/6/23
Tracks from the Masterton gigs appear on
Live 2022-24
Thanks everyone !

Looking forward to returning on 15 July with The Troubled Times!
WHERE
Continue reading “Live in Masterton NZ, 24/6/23”The Wind Always Gets Through
The Winter: 2010
Newly discovered 2010 ‘lost recordings’ by The Winter –
An improvised music trio of Mike Kingston, Dave Edwards, and Simon Sweetman –
Includes live performances at Fred’s (the only known video of the band), and previously unheard recording sessions on 25-4-10 and 6-6-10.
credits
releases June 6, 2023
Continue reading “The Winter: 2010”Assembling disconsonant
This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.
“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
– Dr Emit Snake-Beings
Method
New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring ‘get back’ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement it… I’ve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title ‘assembling disconsonant’ describes the method?
meaning is optional
chance methods are supplementary
but starting with the bass part ensures the whole thing is built on a (human) groove
& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :
Lyrics
Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.Far digressed – how far digressed at a woeful seed inconsolate engraver’s nest
How hard to be in vainHow many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a bird’s beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.
The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – he’d gotten off work at only 5:20…
credits
released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal
Recorded in Featherston, New Zealand, May 2023
Autumn (by John Collie, 1856)
It’s the first day of autumn (2023) here in the southern hemisphere (good riddance to Cyclone Gabrielle, which caused devastation in other parts of the North Island), so here’s a track from Poems & Lyrics (in the English Dialect) (1856):
Lyrics
Continue reading “Autumn (by John Collie, 1856)”AGAIN old Autumn murmurs from the hill , His annual toils already are begun ; His angry blast howls down the fertile vale , Gust after gust with melancholy moan .

















































































