The Troubled Times: Son Sum Sun

For the third year in a row, we held a recording session on the first day of daylight savings – a short session of spaced out noisy psychedelic ‘rock jams’ this time.

A highlight this session was a bigger & louder bass amp!

Credits

Dave Edwards – Bass
David Heath – Drums
Antony Milton – Guitar

released October 13, 2023

Tracklist

1.Ventures Sans Hairspray 12:54
2.Calliper Waltz 02:34
3.Ad For Rolling Down 07:48
Continue reading “The Troubled Times: Son Sum Sun”

The Troubled Times: Another (****ing) Sunday

The first physical CD by The Troubled Times (Antony Milton, Dave Edwards, David Heath),

Fizzy dreamy shambolic ramblings from the Wairarapa‘s dustiest garage.
Instant songs committed to disk for posterity.

Another Sunday’ CD series

This was the first chapter in Antony Milton’s acclaimed ‘Another Sunday‘ series of CDs:
anothersunday.bandcamp.com – different artists, each making an album with the same title.

Other discs in the series include Michael Morley, Greymouth, Seht, Teen Haters, Perpets, and Sunset Temples

video

credits

released August 1, 2023

David Heath- drums
Dave Edwards– bass
Antony Milton– guitar/vocals
, video, CD producer

Continue reading “The Troubled Times: Another (****ing) Sunday”

The Hurricane Wrangle (a butcher-revue)

live in Masterton NZ, 19-08-2023

A track from the Loose Autumn Moans album – originally recorded in 2003, and recently played live for the first time in 20 years!

credits

Continue reading “The Hurricane Wrangle (a butcher-revue)”

The Troubled Times: live at Common Ground 15/07/23

Thank you everyone who came to The Troubled Times‘ live debut, in Featherston NZ

Live @Common Ground,
Featherston NZ, 15/7/23

Antony Milton – guitar David Heath – drums Dave Edwards – bass

Mānawatia a Matariki!

Thanks also to Zac and Holly Winterwood,

Continue reading “The Troubled Times: live at Common Ground 15/07/23”

Auld Satan when ye first gae through

Live version 24/6/23 – from http://www.fiffdimension.bandcamp.com/albums/poems-lyrics-in-the-scotch-dialect-1856

A ‘darker’ piece from Poems & Lyrics by John Collie (1856)

An electric arrangement also appears on Live 2022-24

Lyrics

AULD Satan , when ye first gae through Your regions dark and awful , A sma ‘ bit favour I would crave , Gif ye but think it lawful .

Gie my respects to Souter Will , The first time ye forgather ; And tell him that I’m wae to think Him lost for a ’ thegither .

For ministers and others say He straught to you was taken ; ‘ Cause he the creed o ‘ Scotland’s kirk Had mony a day forsaken .

Gif that be true , as it may be , Though faith I’m misbelieving , You ne’er met wi ‘ a slier coof , Since ye took to deceiving.

But use him well , and gif ye can , Oh gie ‘ im a bit promotion ; O ‘ a ‘ your buts and a ‘ your bens He ‘ shortly hae a notion .

But keep him aye beneath your thumb , And work him smooth and sweetly ; Or o’er your head he’ll tak your trade , And dam your luck completely .

credits

from Poems & Lyrics (in the Scotch dialect) (1856), releases August 10, 2023

The Troubled Times: Elevate

A contrasting companion piece to theAnother Sunday‘ CD

  • all but the last track were recorded during the same session, on 28/05/23)
  • Elevate is a thoroughly kinetic affair bursting with energy and ecstatic passion.

Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.

What more could you want? (well there’s The Troubled Times’ live debut coming up on 15 July….)

Videos

credits

Antony Milton – electric guitar Dave Edwards – bass David Heath – drums

releases July 15, 2023

Continue reading “The Troubled Times: Elevate”

The Wind Always Gets Through

Music video by The Troubled Times (Antony Milton, Dave Edwards, David Heath)

from the CD ‘Another Sunday’

Continue reading “The Wind Always Gets Through”

Assembling disconsonant

This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.

“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
Dr Emit Snake-Beings

Method

New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring ‘get back’ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement it… I’ve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title ‘assembling disconsonant’ describes the method?

meaning is optional

chance methods are supplementary

but starting with the bass part ensures the whole thing is built on a (human) groove

& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :

Lyrics

Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.

Far digressed – how far digressed at a woeful seed inconsolate engraver’s nest
How hard to be in vain

How many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a bird’s beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.

Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.

The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.

Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – he’d gotten off work at only 5:20…

credits

released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal

Recorded in Featherston, New Zealand, May 2023

The Troubled Times: Hill Road in Winter

The first physical format release from Masterton trio The Troubled Times is a loud and noisy nocturnal romp – through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

Whilst earlier digital releases have veered from arty drone pieces to synth pop and heavy space rock the music on ‘Hill Road In Winter’ is more like a psychedelic pub jam band gone BRILLIANTLY ‘wrong’. Woozy blues paeans slip sideways into feedback freakouts and heavy Hawkwind-like stomps attempt to transition into songs by The Fall.
All recorded ‘New Zealand style’ in my garage.

If we weren’t such raving greenies here at Small Town Electron we’d put this tape forward as the PERFECT album for a lengthy nocturnal drive. – Antony Milton

Cassette

Continue reading “The Troubled Times: Hill Road in Winter”

2022 roundup

fiffdimension vol4, águas brilhantes: 2018​-​2022, sums up the last few years’ here:

2022‘s been a particularly productive year… there’s a (mostly) solo instrumental album (also ft Oscar the dog);

two albums by the Troubled Times – collaboration with Antony Milton now a trio with David Heath on drums;

recordings with my nephews Hans and Rhys Landon-Lane towards Poems & Lyrics by John Collie (1856) – with words written by our ancestor;

and a multimedia spoken word + improvised music collaboration with the award-winning painter James Robinson;