Music video by The Troubled Times (Antony Milton, Dave Edwards, David Heath)
from the CD ‘Another Sunday’
Continue reading “The Wind Always Gets Through”1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
Newly discovered 2010 ‘lost recordings’ by The Winter –
An improvised music trio of Mike Kingston, Dave Edwards, and Simon Sweetman –
Includes live performances at Fred’s (the only known video of the band), and previously unheard recording sessions on 25-4-10 and 6-6-10.
releases June 6, 2023
Continue reading “The Winter: 2010”This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.
“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
– Dr Emit Snake-Beings
New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring โget backโ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement itโฆ Iโve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title โassembling disconsonantโ describes the method?
meaning is optional
chance methods are supplementary
but starting with the bass part ensures the whole thing is built on a (human) groove
& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :
Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.Far digressed – how far digressed at a woeful seed inconsolate engraverโs nest
How hard to be in vainHow many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a birdโs beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.
The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – heโd gotten off work at only 5:20…
released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal
Recorded in Featherston, New Zealand, May 2023
in a wildflower state is a lost album – recorded in Perth WA and surrounding regions, between 2012-2014 – unreleased at the time.
The music here is rustic, reflecting the vast ancient arid landscape, overlaid with touches of Nyoongar and bogan sounds. It includes appearances by Nat da Hatt, Cylvi M, and Renato Salvador.
| 1. | Didgeridoo overture / overkill 01:47 |
| 2. | Dry wind (Fremantle doctor) 01:26 |
| 3. | Nat da Hatt + fiffdimension – The Road to Bogandoor (Australian election 2013 mix) 03:46 |
| 4. | Sandalwood & Quandong 04:38 |
| 5. | Ukulele & magpies 01:23 |
| 6. | Kalgoorlie super pit 04:25 |
| 7. | Brazilian BBQ (ft Renato Salvador) (bonus) 04:33 |
| 8. | Rabbit proof fence (bonus) 03:19 |
| 9. | Nat da Hatt + fiffdimension – The Horror (sports mix) (bonus) 03:35 |
| 10. | Scabbers’ beach 02:45 |
| 11. | Cylvi M – Ode to Ed Kuepper 01:06 |
| 12. | Mundaring Weir 01:49 |
| 13. | Stomping in Freo (bonus) 02:17 |
| 14. | Kalbarri coastline 04:55 |
| 15. | Stromatolites 01:49 |
| 16. | Inverno ’13 (Indian Ocean sunsets) |
Known as ‘the Wildflower State’, Western Australia covers an enormous area – the size of India, but with a population of under three million. Metaphorically, to be a ‘wildflower’ can also mean a wandering spirit or traveller (such as a kiwi expat on an OE).
Continue reading “in a wildflower state (Western Australia, 2013)”The first physical format release from Masterton trio The Troubled Times is a loud and noisy nocturnal romp – through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.
Whilst earlier digital releases have veered from arty drone pieces to synth pop and heavy space rock the music on ‘Hill Road In Winter’ is more like a psychedelic pub jam band gone BRILLIANTLY ‘wrong’. Woozy blues paeans slip sideways into feedback freakouts and heavy Hawkwind-like stomps attempt to transition into songs by The Fall.
All recorded ‘New Zealand style’ in my garage.If we weren’t such raving greenies here at Small Town Electron we’d put this tape forward as the PERFECT album for a lengthy nocturnal drive. – Antony Milton

fiffdimension vol4, รกguas brilhantes: 2018โ-โ2022, sums up the last few years’ here:
2022‘s been a particularly productive year… there’s a (mostly) solo instrumental album (also ft Oscar the dog);
two albums by the Troubled Times – collaboration with Antony Milton now a trio with David Heath on drums;
recordings with my nephews Hans and Rhys Landon-Lane towards Poems & Lyrics by John Collie (1856) – with words written by our ancestor;
and a multimedia spoken word + improvised music collaboration with the award-winning painter James Robinson;
“We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo (Oscarโs Blues) […] and songs taken from Poems & Lyrics (in the Scotch dialect) (1856), where Dave paid tribute to his ancestor John Collie who wrote a book of poems more than 150 years ago.
“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz
รกguas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Mฤori name of the region where I’ve lived the last few years.
My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.
This compilation includes pieces inspired by the region and my ancestors, and new and old collaborators – including a torch-passing to younger members of my family.
by Dave Edwards – guitars, bass, banjo, harmonica, vocal, lyrics
with
released December 22, 2022
Features previously unreleased recordings, and tracks from












Loosely a sequel to The Troubled Times’ debut, Return of the Sun (2021) –
These new recordings were made exactly one year later – again on the first day of daylight savings, Spring 2022 in the southern hemisphere – now joined by David Heath on drums.
The anniversary prompted the title – then possible alternative meanings of which (binary star systems, colonising other planets) led down a science fiction wormhole…
Recorded in Masterton, New Zealand, 25 September 2022
The album also features a key crossover track, with the Poems & Lyrics by John Collie (1856) project:
This track links the various spoken word,ย electricย improv, and folk strands of fiffdimension music. While the rest of Poems & Lyrics by John Collie (1856) is acoustic based, in this case, the electric arrangement seemed to add a โkinglyโ majesty, and pathos – as the monarch discovers the limits of his worldly power.
โThe monarch ceased. The courtier train shook, muttered, gazed and shook again.
They saw lifeโs dying embers fade, they felt the sting of horrorโs blade.
Before them lay a lifeless form, which once with life had passions warmed.
The hand was stiff which oft had reigned, the warhorse and the prisoner chained.
A lifeless lump of senseless clay, the stern despotic monarch lay.โ โ John Collie (1834-1893)
(track also appears onย fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856ย )
The first proper ‘band’ recording sessions by The Troubled Times, with the addition of David Heath on drums.
Improvised psychedelic rock – inspired by the Wairarapa rural landscapes, and the main road through them – with touches of country, Brazilian jazz, and electroacoustic experiments.
Antony Milton – electric guitar, banjo (6), drums & keyboard (7)
Dave Edwards – electric guitar (1,3,5), acoustic guitar (2,6,7), bass (4), aluminium ladder (7)
David Heath – drums
released August 13, 2022
——-
Masterton, New Zealand
Recorded in Antony’s garage,
17th July + 7th August 2022
Photo by Sara Rogers
| 1. | Whatever you like (north of Wellington) 06:31 |
| 2. | Wairarapa bossa nova 03:18 |
| 3. | Passing the Tararuas 03:26 |
| 4. | Waiohine river after rain 02:50 |
| 5. | Driving inland 07:16 |
| 6. | Sanson & Woodville (acoustic) 06:34 |
| 7. | Snakes & ladder 02:08 |
| 8. | Spring nor’wester 06:35 |
| 9. | Bossanova Wairarapa (mais tempo) |
Antony and Dave also collaborated on fiffdimension.bandcamp.com/album/return-of-the-sun-2021
and
layyourburdensdown.bandcamp.com/album/-
The sophomore EP by The Troubled Times duo of Antony Milton and Dave Edwards.
Raw loud Improvised pluck and drone. Recorded on a windy rainy Sunday in Antony’s garage in Masterton, in 2021, between Covid lockdowns.
Guitar/Bass –Dave Edwards
Guitar/Keyboard/Vocs –Antony Milton.
released June 26, 2022
| 1. | Move Alongย 03:54 |
| 2. | Genes 02:17 |
| 3. | Super Lucid 13:46 |
| 4. | Woodness 04:01 |
The first full length release from this duo, which pre-dates the name ‘The Troubled Times’, was Return of the Sun (2021)
In 2022, the duo became a trio, joined by David Heath on drums, givng us a full ‘band’ sound.