Mike Kingston

is a Wellington NZ multi-instrumentalist, composer and improviser.

From 2003-2015 he was a key member of The Winter.

He also contributed to two other fiffdimension albums from this period: Loose Autumn Moans (2003) and After Maths & Sciences (2005).

This page is a look back at that chapter of Mike’s musical story.

The Winter

An improvised music trio, with Dave Edwards and Simon Sweetman,.which began in Wellington on winter solstice day, June 2003. Their first album was Parataxes (2003).

Mike’s contribution included cello and electronic composition, electric guitar, acoustic guitar and slide whistle. The album builds from intimate acoustic pieces towards the electric climax of “Parataxes 9”.

Mike also played cello on

Loose Autumn Moans (2003),

Acoustic songs with a string section, made using all-analogue equipment. Dave Edwards was joined by Sam Prebble, Mike Kingston and Simon Sweetman. It includes live recordings at BATS Theatre and Photospace Gallery.

Mike next played electric guitar in the 2003-2004 lineups of

Ascension Band

(in his San Shimla alias),

After Maths & Sciences (2005)

In 2005, Mike and Dave both relocated across the Tasman.

After Maths & Sciences is an Australian double album recorded in Melbourne, Sydney and Gosford in 2005–06. Mike played acoustic guitar on the Melbourne half.

It’s a very different record from Loose Autumn Moans or Parataxes. It’s more like a musical travel diary — part field recording, part improvised music, part electronic experiment and part documentary.

There’s also a nice thread connecting the records: a different version of “O Henry Ending” was recorded in Melbourne, with Mike on acoustic guitar and Francesca Mountfort on cello.

The Winter continued

on-and-off over the next twelve years. For highlights from their later recordings, see the

Shortest Days 2003–2015 compilation.

Those projects are part of his wider story, but the recordings above are Mike’s contribution to the fiffdimension catalogue to date. Some of Mike’s

Other projects

Mike Kingston is a multi-instrumentalist front-man and composer in bands such as Cumbia Blazera, ‘Bella Cajon‘ , ‘The Wagtails‘, and Phantasticus. He continues to perform regularly throughout Wellington and New Zealand.

Simon Sweetman

Simon Sweetman is a Wellington NZ author and musician.

He is best known for his music criticism and poetry, and for his distinctive homemade ‘pots & pans’ percussion for The Winter (trio with Mike Kingston and Dave Edwards) and (more recently) Dirty Spoons, Yo (with Sam Walters);

Simon blogs at https://simonsweetman.substack.com/ ;

and records spoken-word albums as Second Storey Teller;

his books include The Death of Music Journalism (2020), and The Richard Poems (2024).

He hosts a monthly Open Mic called Say the Thing on the last Wednesday of each month at MEOW, in Wellington.

Scratched Surface (1998)

The debut album from fiffdimension!

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox

Listen

About

Scratched Surface is a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground. It includes both electric and acoustic tracks¹.

The title alludes to its status as a first effort from fiffdimension², with much more to come (‘scratching the surface’). It also suggests scratches on a disc, reflecting the lo-fi production values and a slightly ‘damaged’ pre-millennial teenager outlook.

I didn’t come from a conventional musical background. Instead of learning to play cover songs first, I skipped straight to writing my own³. The musicianship is rudimentary, and the lyrics are full of youthful angst – but also self-aware humour and ironic detachment.

“One day I’m gonna be a star, but I can’t be bothered to practice my guitar.

I’m not gonna sing you a cover song, ’cause I’d only make it sound all wrong.

I got the ‘can’t play for shit and my voice is shot to hell’ blues”

The album also includes early forays into free improvisation, in tracks like King Street Boogie and Eat the Noise.

It was recorded on analogue reel-to-reel and cassette tapes, and self-released on CD-R. The online reissue includes download-only bonus tracks and previously unreleased material.

Credits

Dave Edwards – acoustic and electric guitar, harmonica, vocal, lyrics
Tim McVicar – bass (2, 12, 14), percussion (3), electric guitar (12, 13)
Brett, Ross, Tammy, Dawn et al – percussion and vocals (15-16)

Recorded in New Plymouth, NZ, 1997-1998

Special thanks to Alastair Edwards, Keith Finnerty, Karl Taylor, Brian Wafer

New Plymouth, New Zealand

Tracklist

Continue reading →

Snake Beings

Dr Emit Snake-Beings – founder of the Hamilton Underground Film Festival, composer, musician and electrical shrine maker – is a New Zealand / British experimental filmmaker and musician. He has produced over 40 independently released film soundtrack CDs, and made a number of short experimental and narrative films in Spain, U.K. and New Zealand.

His music includes two duo albums with fiffdimension:

Ngumbang (Huia, 2014/15)

and

Ruasagavulu (Fiji, 2019/20)

He also appears on

Gamelan Dimensi Kelima (Indonesia)

His other projects include:

www.snakebeings.co.nz

Nat da Hatt: Kleptomania

Presenting the new solo album from Nat da Hatt!

Nat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.

He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album

ネオン列車の風景 Neon Train Landscapes

and some 2015 collaborations in progress

as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco

and here’s his previous 2012 solo masterpiece, Twango

https://natdahatt.bandcamp.com/

Yogyakarta, Indonesia

Here’s video from my two visits to Indonesia in 2014 – a fascinating new country that I’m only just beginning to explore, and can continue to do so through gamelan (like Indonesia itself it gets more complex & interesting the more you look).

Partly because I’ve visited several countries in East Asia now, and lived in two (Japan and South Korea), Indonesia seems like something else entirely. It’s less Chinese-influenced and has a style of its own.

[Diary from September] This trip was just enough for an introductory sampler. I decided to focus on the arts this time rather than the mountains, ocean and jungle which would require more time, money and preparation.

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I had mixed results in my cultural studies mission this morning. Continue reading “Yogyakarta, Indonesia” →

w/ snakebeings: Ngumbang (2015)

The first collaboration with even more legendary & underground NZ artist Snake Beings.

Listen

About

Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists.

Performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

The title ‘Ngumbang’ is an Indonesian word that refers to the slight difference in tuning between a pair of gamelan instruments, which gives gamelan music its shimmering quality.

The album name reflects a shared interest in ethnomusicology and experimentation, and the almost-but-not-quite-equivalent approaches of these two artists.

The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.

Emit Snake-Beings,

who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz

Dave Black,

originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com

Tracklist

1.	Huia Vortex (feat. Nat da Hatt) 03:56
2.	The Feathered Serpent Sings Again 05:13
3.	Illbelly Gritts 03:57
4.	Watching a Painting Melt 01:47
5.	さくらさくら (Japanese folk song) – live at the Audio Foundation 04:52
6.	Pig in the Bamboo 01:47
7.	Live at Vitamin S (#1.5) 04:37
8.	Pick up the Pieces (after the gig) 04:48
9.	Pick up the Pieces (after the jam session) 04:45
10.	Ornery Return Cravings 02:40
11.	kuningan dan perunggu (Indonesian brass and bronze) 02:50
12.	So Long Notes 06:01

Further Listening

Continue reading →

Gamelan Taniwha Jaya 2015

Thanks to everyone who came to see Gamelan Taniwha Jaya play in Wellington recently!

Gopala

Tabuh Telu

In 2015 we’ve also performed at the Newtown Festival, the Southeast Asian Night Market, and Indonesia Day.

11949438_10153533387512380_2874393366942624543_n — Indonesian news article, 31/08/15, http://nasional.kompas.com

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Wellington Southeast Asian Night Market

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Here are a couple of recordings of two of the pieces we played:

https://soundcloud.com/user521325057/gopala-rehearsal-feb-2015/s-l3LrV

https://soundcloud.com/user521325057/margapati-rehearsal-feb-2015/s-rQW6u

These are in the Balinese gong kebyar style of gamelan, which is loud, fast, intricate and modernist. For more info see http://gamelan.org.nz/

Gamelan Taniwha Jaya is a group of New Zealand musicians dedicated to the study and performance of Balinese music. They specialise in contemporary music for Gamelan Gong Kebyar, and frequently incorporate western instruments into the ensemble. Continue reading “Gamelan Taniwha Jaya 2015” →

Kalbarri, Western Australia

Music and video by Dave Black & Cylvi Manthyng from a road trip north from Perth, Western Australia. Kalbarri is a small town of just over a thousand people, known for its rocky coastline, red landscape, spring flowers, and pounding surf.