fiffdimension1 is music & multimedia by Dave Edwards and collaborators, from 1850s2 to 2020s. Made in Aotearoa / New Zealand and beyond.

You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noise… there’s something here for everybody. “Howard Stelzer, Noisy Bandcamp.

2025 – new this year

Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place” – Mats Gustaffson, the Broken Face

  1. The Troubled Times
  2. Featherston Free Sound Ensemble
  3. Electric (yang) / Acoustic (yin): 2CD compilation 1998​-​2023
  4. Interview
  5. recent solo works
  6. Past compilations
  7. Poems & Lyrics by John Collie EP (1856)

The Troubled Times

Wairarapa psychedelic garage rock trio with Antony Milton and David Heath (2021-present)

🎧 Listen on Bandcamp

The Troubled Times catalogue includes Return of the Sun (2021), […] (2021), State Highway 2 (2022), A Second Sun (2022), Hill Road in Winter (2023), Another Fucking Sunday (2023), Elevate (2023), Live in Featherston (2023), The Latest Poll (2024), Boa (2024), Pyramid Club September 28 2024, dDA (2025), Unsteady Ground (2025), Sparkle Tube (2025).

Featherston Free Sound Ensemble

Smalltown avant-garde free improvisation and electronica, with Guy Walker and Alex V (2025-)

Electric (yang) / Acoustic (yin): 2CD compilation 1998​-​2023

Celebrating 25 years of fiffdimension!

“Double disc collection of more than two decades’ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. It’s quite a diverse listen! A good intro to Dave’s dauntingly deep discography.Howard Stelzer, Noisy Bandcamp.

🎧 Listen / buy on Bandcamp

Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album, with bonus tracks.

Produced by Antony Milton; and features Paul Winstanley, Chris O’Connor, Simon O’Rorke, Chris Palmer, Sam Prebble, Mike Kingston, Francesca Mountfort, Damian Stewart, Emit Snake-Beings, Nat da Hatt, Steve Duffels, and Oscar (the dog).

 “Electric (Yang)/Acoustic (Yin) boasts some wildly different tracks […] He doesn’t seem to so much want to push boundaries, as to act like he’s never heard of boundaries in the first place. At times soft and beautiful, at others dark and jarring, it makes for fascinating listening.” – Peter Malthus, muzic.nz

1998-2023 compilation features tracks from the albums Scratched Surface (1998), The Marion Flow (1999 / 2001), After the Filmshoot (2002), Mantis Shaped and Worrying (2002), Loose Autumn Moans (2003), Articulation Incommunicate (2004), After Maths & Sciences (2005), South Island Sessions (2006), in a Wildflower State (2013), Ngumbang (2015), Escape Velocity: Live 2018, Live 2019, Glimpses of Utopia (2020), Spastic Rhythms ’22 (2022), Aguas Brilhantes (2022)

(For more recent material – see 2024 and 2025)

Interview

Career overview spoken word discussion, prompted by Dylan Dolby, with music examples.

🎧 Listen on Bandcamp

recent solo works

in both electric

Quietism (2024)

🎧 Listen / Buy on Bandcamp

and acoustic styles. Dave‘s most recent solo album to date is:

Ruasagavulu ka lima (Fiji, 2025)

🎧 Listen / Buy on Bandcamp

Past compilations

(each includes download-only bonus tracks)

Live 2022-2024

Live solo performances in Featherston and Masterton NZ, and Sydney, Australia

🎧 Listen on Bandcamp

águas brilhantes: 2018​-​2022

fiffdimension vol 4 – made in Featherston, Masterton and Suva (Fiji)

ft Antony MiltonJames RobinsonDr Emit Snake-Beings, Campbell Kneale, Hans Landon-Lane, and lyrics by John Collie (1834-1893) 

🎧 Listen on Bandcamp


“We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo […] It is unusual to find someone playing so confidently in such diverse areas and anyone into independent music will certainly find something on here to enjoy.”

Kevin Rowland

2018-2022 compilation features tracks from Escape Velocity: Live 2018, Live 2019, Glimpses of Utopia (2020), Spastic Rhythms ’22 (2022), Poems & Lyrics by John Collie (1856)

Other Islands: 2012-2018

vol3 – made in New Zealand, Western Australia, Fiji, Indonesia and Okinawa ,

by Dave Black with The Winter, The Electricka Zoo, Snake Beings, Nat da Hatt, Campbell Kneale, Gamelan Padhang Moncar, Gareth Farr and Gamelan Taniwha Jaya

🎧 Listen on Bandcamp

“The 20 song album covers traditional Javanese and Balinese gamelan, Asia-Pacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent.Darryl Baser, muzic.net.nz

2012-2018 compilation features tracks from the albums The Winter: Flying Visit (2012), in the non-idiomatic idiom in Norway (1999/2014), ネオン列車の風景 Neon Train Landscapes (2012), in a Wildflower State (2013), , Ngumbang (2015), The Winter: Exit Points (2015), Gamelan Dimensi Kelima (2016), The Electricka Zoo (2017)

The Winter: Shortest Days 2003-2015

Career overview of The Winter Wellington improvising trio of Dave Edwards, Mike Kingston, and Simon Sweetman.

🎧 Listen on Bandcamp

“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face

The Winter compilation features tracks from the albums Parataxes (2003), Swansong for the Huia (2004), 2010, 2011, Flying Visit (2012), Exit Points (2015)

Fame & Oblivion: 2005-2012

vol2 – made in New Zealand, Australia, South Korea, Thailand, Mongolia, and Japan,

by Dave Black with Ascension Band, The Winter, Nat da Hatt, Wellington’s Most Famous Orchestra, and Cylvi M

🎧 Listen on Bandcamp

“Experimental and avant-garde…. There is a clear passion, and a commitment to pushing the boundaries… This will challenge your perceptions of what constitutes music and open the mind to new possibilities of sounds that surround us – muzic.net.nz

2005-2012 compilation features tracks from the albums Ascension Band: Evolution (2005), After Maths & Sciences (2005-2006), South Island Sessions (2006), First Time Around: South Korea (2008), First Time Around: East Asia (2008), The Winter: 2011 (2011), ネオン列車の風景 Neon Train Landscapes (2012)

Gleefully Unknown: 1997-2005

vol1 – songs, spoken word and improvisations from the early phase of my gloriously unsuccessful career, in New Plymouth and Wellington.

by Dave Black with The Winter, Ascension Band,plus Chris O’Connor, Paul Winstanley, Simon O’Rorke, Chris Palmer, Sam Prebble, Francesca Mountfort and more

🎧 Listen on Bandcamp

Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations… Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.”

Mats Gustaffson, The Broken Face

1997-2005 compilation features tracks from the albums Scratched Surface (1998), in the non-idiomatic idiom in Norway (1999), The Marion Flow (1999-2001), Mantis Shaped and Worrying (2002), The Winter: Parataxes (2003), Loose Autumn Moans (2003), Ascension Band: Live 2004 (2004), After Maths & Sciences (2005-2006)

Poems & Lyrics by John Collie EP (1856)

A brief introduction to this acoustic magnum opus – a musical adaptation of the book by my great-great-grandfather.

🎧 Listen on Bandcamp

“Like John Middleton Collie of Boyndie, Scotland before him, Edwards has made his smear in the footnotes of history, ripe for resurrection in 2194. ” – Peter-James Dries, muzic.nz

EP features tracks from Poems & Lyrics in the English Dialect (1856) and Poems & Lyrics in the Scotch Dialect (1856)

  1. fiff” is a deliberate misspelling of “fifth”, in a lazy Taranaki NZ accent ↩︎
  2. Poems & Lyrics by John Collie was written in 1856, and set to music between 2018-2025. It is both a new release and the earliest ‘founding document’ in the archive. ↩︎