“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.” – George Parsons, Dream Magazine #5
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About
All acoustic, no overdubs, and complete with a string section! Recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.
“Edwards‘ art is always an interactive experience, and the spontaneous nature of his audio output encourages descriptions such as abrasive, discordant, sombre and atmospheric. Such adjectives contribute but never tell the whole tale.” – Real Groove
The album is structured as a progression from summer. The cover image shows a NZ pohutukawa tree in flower. It continues through autumn, a time of harvest, preparation, shortening daylight, and the shedding of old dead layers.
It finishes with an extended live version of ‘O Henry Ending‘, recorded at the Winter’s first gig.
“O Henry falling leaves & branches, talk a worried sad refrain
Your eyes half tilt, your brain half mast
To tie the fond anonymous bond beyond yr aching shelter lying walls
That fall to fall, & raise the days, museum haze …”
Credits
Dave Edwards (archtop acoustic guitar, harmonica, vocal, lyrics)
Sam Prebble (violin) / Mike Kingston (cello)
Simon Sweetman (percussion)
Recorded in Wellington, NZ, 2003
Tracklist
1. | Summer Skin 06:19 |
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Mouth of the Caveman 03:26
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Dedication: Bond Street Bridge
Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Rest easy Sam, and thank you..
Further listening
The Winter: Shortest Days 2003-2015
Continuing the seasonal theme, Dave Edwards, Mike Kingston, and Simon Sweetman (occasionally joined by Sam Prebble) formed a regular free improvising instrumental trio , the Winter.
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
After the Filmshoot (2002)
The original C60 cassette release of Loose Autumn Moans included solo interludes recorded the previous year, in 2002. These have since been reissued as a separate album.
By shortening to just the 2003 ensemble sessions, Loose Autumn Moans becomes concise. It emphasises the lyrics, and the jazzy acoustic instrumental interplay.
After Maths & Sciences (2005)
A different take of ‘O Henry Ending‘ was recorded in Melbourne, Australia in 2005. I had just bought a banjo (which I still have), Mike Kingston played acoustic guitar this time, and Francesca Mountfort took the cello role, along with Cylvi M on percussion.
While much of the album was in a new style, incorporating electronica and field recordings, ‘O Henry Ending’ and the presence of fellow expat kiwis provided a thematic bridge from the Wellington days.
Acoustic yin / Electric yang – 2CD 1998-2023
To illustrate how a song can be interpreted in multiple ways, the fiffdimension 25th anniversary 2CD features Mouth of the Caveman – and both the 2005 Melbourne version and a new (2022) a live electric arrangement of O Henry Ending
Live 2019 and Live 2022-24
Three of the Loose Autumn Moans tracks were revived in new solo arrangements for these more recent live albums:
Gleefully Unknown: 1997-2005 compilation
Tracks from Loose Autumn Moans also appear on this compilation, that gives an overview of the early years.
Poems & Lyrics by John Collie (1856).
My great-great-grandfather (himself a young man at the time) self-published a book of poems in 19th century Scotland. It includes a piece about Autumn.
Adapting John Collie’s words to music is a current major work-in-progress, that .allows a new ‘mature’ version of my acoustic style, and shows the early works, like Loose Autumn Moans, in a new light!
fiffdimension 
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