The Troubled Times: Smudge (2025)

“Nutso falling over kind of wonkiness from mid-winter” = Antony Milton

Listen

credits

The Troubled Times are:

about

Continue reading “The Troubled Times: Smudge (2025)”

Featherston Free Sound Ensemble: First Experiments (2025)

Guy Walker – turntables, cassettes (right channel)
Dave Edwards – bass, guitar, e-drum (left channel)

Recorded at the Bakehouse, Featherston NZ, 18/09/25

Continue reading “Featherston Free Sound Ensemble: First Experiments (2025)”

The Troubled Times: Sparkle Tube (2025)

A return to the duo lineup of our earliest recordings (Antony Milton and Dave Edwards).

Listen

CD-R edition

Limited edition physical copies of Sparkle Tube are available from Antony’s Grey Cyphers CDR label, along with other NZ artists including Rain Sleepers, Agentsss, L$D Fundraiser, CJA, Tower of Heaven, and more.

Old school cdr label out of back blocks New Zealand/Aotearoa releasing music by Agentsss and other lo-fi mystic wannabes

Antony Milton

About

Duo outing for The Troubled Times on this disk, ostensibly this is material Dave and Antony recorded while waiting for drummer David to show up for practice. He never showed up…
More of a weird improv noise album this one- except for the ‘musical’ bits..
Kind of dreamy.

(But you know what dreams are like, cruising one minute- terror the next.)

Continue reading “The Troubled Times: Sparkle Tube (2025)”

The Troubled Times: Unsteady Ground (2025)

Latest release from The Troubled Times… weirdly ‘relevant’ this year. And available on cassette.

Listen

A new collection of songs for the Times.
Starting off with a weirdly upbeat track recorded pre- US election the tone drifts somewhat astray as the collection proceeds.


Trying to find purpose amongst all the doom scrolling.

credits

Continue reading “The Troubled Times: Unsteady Ground (2025)”

7″ singles

2x new 7″ lathe cut singles:

Jovial Blade / Extant Body & Weight

“Some seriously scrambled dissonance. 80’s vocals hits 60’s electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in some musical careers.” – Simon Baker, What Lies Beneath

(Dave solo – A-side is bass & electronics, B-side is clarinet & electronics)

and

The Troubled Times: Cellophane

Discs manufactured in NZ by Johnny Electric

Continue reading “7″ singles”

Ascension Band: Live 2004

This was 20 years ago today!

Ascension Band played at the Meatwaters Festival at Happy, in Wellington. We look so young… happy anniversary guys!

By auspicious coincidence, this morning (exactly 20 years on) I found an original DVD of the full performance (as well as discs of the 2005 gigs with the 18-piece imperial phase lineup).

Continue reading “Ascension Band: Live 2004”

The Troubled Times: Boa

With all the subtlety of a peacock in a pigeon coop The Troubled Times return with a new album, dominated by the squeals of tortured amps and seriously tormented drums.

The Troubled Times also play live this month – in Wellington, at the Pyramid Club on 28 September!

Boa features inadvertent post-rock gliding that crashes and bursts into jagged flames; some kind of illicit NZ spaghetti pizza western folds in on itself to become a fractalized polaroid of a dessicated lizard.

This tendency toward excess doesn’t preclude the odd lapse into a mumbled ad hoc song or 2 but the focus here seems to be on ‘loud’, ‘fucked’ and ‘intense’.
The poor bloody neighbours…

Tape version available at troubledtimestapes.bandcamp.com

Continue reading “The Troubled Times: Boa”

The Troubled Times: The Latest Poll

Available on cassette or download –

The Latest Poll is the debut release for the new Troubled Times Tapes imprint, which will be releasing music by, and associated with, The Troubled Times.

A rare session out of Antony Milton‘s garage and into his lounge due to the frigid winter conditions. Also a departure from our usual psychedelic garage rock sound – we left our regular instruments behind and played mainly what was at hand, resulting in completely different sonic textures:

  • Antony Milton played casio keyboard, banjo and contact mic’d nylon-string guitar through his home stereo,
  • Dave Edwards played steel-string acoustic guitar, banjo and clarinet through his effect rig into a tiny busking amp, and
  • David Heath played Dave’s cheap toy electronic drum kit.

The result is a freakish free-folk psychedelic synth pop shambles that also somehow creates a comfy abode, a shelter from the stormy stormy night.

credits

released June 13, 2024

Continue reading “The Troubled Times: The Latest Poll”

The Margins: 21/04/24

“A virtual infusion of ‘ants-in-the-pants’ for the entomologically deficient.” –Antony Milton

Recent (2024) recordings from a new combination of old collaborators – Antony Milton and Dave Edwards (The Troubled Times) with Wellington free-improv legend Simon O’Rorke.

“The album blends Antony Milton‘s and my styles, with Dave Edwards often occupying a pivotal midpoint. It’s an exhilarating session.” – Simon O’Rorke

Credits

Simon O’Rorke– falcon software synth
Dave Edwards– guitar, bass, electro-drums, harmonica
Antony Milton– guitar, drums, microphonic feedback

Recorded at Fleet Street, Masterton, NZ/Aotearoa on 21 April 2024
Cover art by Antony Milton

Tracklist

Continue reading “The Margins: 21/04/24”

Quietism (2024)

Early 2024 – the first new recordings made since the 25-year-spanning 2CD compilation; the start of the fiffdimension 2nd quarter-century.

Listen

Video

About

By Dave Edwards early 2024, summertime in NZ –

Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.


Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand

The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.

The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.

The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).

Tracklist

Continue reading “Quietism (2024)”