1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
See also the videos for ‘Bandit Joe on a Scraded Gat’ and ‘BFD’
1861 revisited – Continue reading “the Ballad of William Knife”
Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).
Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi
As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.
The post-punk big band Ascension Band convened in 2003-2005… here’s the 2004 lineup performing at the Meatwaters Festival at Happy in Wellington.
| Nigel Patterson – hammond organ & conductor Dave Edwards – guitar & electronics Mike Kingston – guitar Jesse Toews – bass Warwick Donald – bass Antony Milton – violin & electronics Damian Stewart – laptop Jason Secto – cornet Simon O’Rorke – percussion Myles Climo – drums |
The following year we won best music award in the 2005 Wellington Fringe Festival
“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – www.varsity.co.nz
| Dave Edwards – electric guitar & electronics Nigel Patterson – hammond organ & conductor Will Rattray – electric guitar Bell Murphy – bass Warwick Donald – bass Murray Stewart – keyboards Damian ‘Frey’ Stewart – laptop Ryan Prebble – tone generator Sam Jenks – trumpet Felicity Perry – vocal Atushi Iseki – vocal Matt Baxter – drums Greta Welson – drums |
This riff
Continue reading “Ascension Band 2005”The Woods EP is available free during May 2017 (NZ Music Month) only… grab a copy at www.thewoodsnz.com/musicmonth2017
If you’re a fan of World Music, Blues or Jazz, then ‘The Woods’ are a must have for your collection. With influences from John Lee Hooker to Pharaoh Sanders, from Africa to Peru, their music will take you some place else…
For a FREE DOWNLOAD of ‘Cuzco’ and ‘Epic Dance Phantasy’ CLICK HERE
“This is easily one of my favorite albums of the year.
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics
Presenting the second new solo album for 2015 from Nat da Hatt!
Volume V follows hot on the heels of Kleptomania
and his previous 2012 solo masterpiece, Twango
Nat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.
He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album
and some 2015 collaborations in progress
as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco
Thanks to Brent for the photos and to everyone who came along to the Pyramid Club on Thursday!
The Winter’s new album ‘Exit Points’ is now available!
Continue reading “The Winter at Pyramid Club, 2015”“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox
Scratched Surface is a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground. It includes both electric and acoustic tracks1.
The title alludes to its status as a first effort from fiffdimension2, with much more to come (‘scratching the surface’). It also suggests scratches on a disc, reflecting the lo-fi production values and a slightly ‘damaged’ pre-millennial teenager outlook.
I didn’t come from a conventional musical background. Instead of learning to play cover songs first, I skipped straight to writing my own3. The musicianship is rudimentary, and the lyrics are full of youthful angst – but also self-aware humour and ironic detachment.
“One day I’m gonna be a star, but I can’t be bothered to practice my guitar.
I’m not gonna sing you a cover song, ’cause I’d only make it sound all wrong.
I got the ‘can’t play for shit and my voice is shot to hell’ blues”
The album also includes early forays into free improvisation, in tracks like King Street Boogie and Eat the Noise.
It was recorded on analogue reel-to-reel and cassette tapes, and self-released on CD-R. The online reissue includes download-only bonus tracks and previously unreleased material.
Recorded in New Plymouth, NZ, 1997-1998
Special thanks to Alastair Edwards, Keith Finnerty, Karl Taylor, Brian Wafer
Presenting the new solo album from Nat da Hatt!
Nat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.
He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album
and some 2015 collaborations in progress
as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco
and here’s his previous 2012 solo masterpiece, Twango
