The difficult third album – recorded during a time of intense introspection in 2002. I locked myself in my room in Wellington for all of November with an analogue 4-track cassette recorder.The results rapidly put an end to my promising New Zealand music career!
In 2002, a year whose digits are an anagram of this one’s, I locked myself in my room for a month of self-isolation.
“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005. Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…
“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face
The difficult third album – recorded during a time of intense introspection in 2002. I locked myself in my room in Wellington for all of November with an analogue 4-track tape recorder, electric bass, guitars and harmonica and wrestled with the void.The results rapidly put an end to my promising New Zealand music career!
I spent days alone in my room with a borrowed 4-track cassette recorder (thank you Jeff Henderson) and bass guitar (thank you Simon O’Rorke). I’d never had a bass lesson so came up with my own improvised atonal punk/funk style.
The thin walls and neighbours below meant I couldn’t use an amp but could only play in headphones. This added to the sense of implosion. Likewise vocals couldn’t be done in a loud voice. I mostly eschewed effects pedals, and went more for dissonance than distortion. The technology was all analogue.
The result wasMantis Shaped and Worrying. It received mixed reviews, but was unlike anything else (as far as I was aware) at the time. File under: sui generis.