Recorded a new version for Poems & Lyrics by John Collie (1856). It includes acoustic bass and classical guitar. It’s set to the traditional Scottish tune ‘Skye Boat Song’, and starts with almost a doo-wop feel – before taking a darker turn, as the theme of bereavement is revealed:
“Some seriously scrambled dissonance. 80’s vocals hits 60’s electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in musical careers.” – Simon Baker, What Lies Beneath
A big thank you to Radio Dolby 89.6FM for this podcast interview – hopefully an interesting audio documentary, and a chance to put the music (and stories behind it) over the years into context… here’s my life story so far, or at least a lot of the music parts!
“Some seriously scrambled dissonance. 80’s vocals hits 60’s electro/cut-up nonsense whilst smothering an ever mutating bassline […] the track contains more musical ideas in its 5 mins than some exhibit in some musical careers.” – Simon Baker, What Lies Beneath
(Dave solo – A-side is bass & electronics, B-side is clarinet & electronics)
Thank you SkirtedRecords for the video snippets, and Pyramid Club for hosting, Termite Lounge and Christian Wolves (Campbell Kneale and Sarah Bingle) for playing, Thomas Lambert for running the show, and everyone who came to the gig on Saturday! We had a blast… hopefully it won’t be another six years til the next time in Wellington!
The gig also marked the release of The Troubled Times’ new limited edition 7″ single Cellophane – only a couple of physical copies left so get in quick, or download from Bandcamp:
With all the subtlety of a peacock in a pigeon coop The Troubled Times return with a new album, dominated by the squeals of tortured amps and seriously tormented drums.
Boa features inadvertent post-rock gliding that crashes and bursts into jagged flames; some kind of illicit NZ spaghetti pizza western folds in on itself to become a fractalized polaroid of a dessicated lizard.
This tendency toward excess doesn’t preclude the odd lapse into a mumbled ad hoc song or 2 but the focus here seems to be on ‘loud’, ‘fucked’ and ‘intense’. The poor bloody neighbours…
A rare session out of Antony Milton‘s garage and into his lounge due to the frigid winter conditions. Also a departure from our usual psychedelic garage rock sound – we left our regular instruments behind and played mainly what was at hand, resulting in completely different sonic textures:
Antony Milton played casio keyboard, banjo and contact mic’d nylon-string guitar through his home stereo,
Dave Edwards played steel-string acoustic guitar, banjo and clarinet through his effect rig into a tiny busking amp, and
David Heathplayed Dave’s cheap toy electronic drum kit.
The result is a freakish free-folk psychedelic synth pop shambles that also somehow creates a comfy abode, a shelter from the stormy stormy night.
Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.
Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand
The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.
The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.
The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).
“Double disc collection of more than two decades’ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. It’s quite a diverse listen!
You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noise… there’s something here for everybody. A good intro to Dave’s dauntingly deep discography.”
A collection of short tracks by Dave Edwards and collaborators.
Celebrating 25 years of fiffdimension!
2CD double album. 35 tracks spanning 25 years. Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album.
Limited Edition classy glassy mastered CD Compact Disc (CD) + Digital Album Only 100 copies of this. Pro manufactured glass mastered CD packaged in 4 panel card wallet.
A contrasting companion piece, with all but the last track recorded the same day; a thoroughly kinetic affair bursting with energy and ecstatic passion.
“a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions. All recorded ‘New Zealand style’ in [my] garage.”
“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!
“[…] If aught can claim a spirit’s admiration, Sure it must be this beautiful creation“
fiffdimension 
