Scratched Surface 20th anniversary

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.

I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.

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20 years on I’m still creating – here’s some of what I’ve done more recently:

Continue reading “Scratched Surface 20th anniversary”

Scratched Surface

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

The debut album from fiffdimension – a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground, recorded on analogue reel-to-reel tape.

Online reissue includes download-only bonus tracks and previously unreleased material.

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From these folk/punk beginnings my style evolved into the more complex/impressionistic/visionary approach of The Marion Flow, Mantis Shaped and Worrying, and Loose Autumn MoansThese combined songwriting with an interest in free jazz and poetic modernism that sunk my commercial chances.  I stopped writing words entirely with The Winter and Ascension Band, and eventually lived abroad in Australia and Asia and reinvented myself again as Dave Black.

As of 2015 I’m back in NZ where my latest project is Ngumbang, which comes full circle – weaving together these various strands, in collaboration with Emit Snake-Beings who was one of my early influences!

dAdApApA: Waiting for the Drummer

A companion to The Marion Flowrecorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”

Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:

“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.

“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”

credits

released 01 August 2006 on Eden Gully as EG15

Fiff Dimension Dave – guitars, spoken word and furbie / Speed Cook – turntables and recording / Pal Diddly – synth and pithy observations / The Digitator – guitar, didgeridoo / BWafer – vacuum cleaner and coffees

Gleefully Unknown: 1997-2005

“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005.   Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…

“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face

Now available from Spotify, Bandcamp etc

A compilation of songs, spoken word and instrumentals from the first half of my gloriously unsuccessful career to date:

by Dave Edwards (acoustic & electric guitars, harmonica, bass, banjo, vocal)

with

Mike Kingston (cello, acoustic guitar),

Paul Winstanley (fretless bass, turntables),

Simon Sweetman (percussion),

Nigel Patterson (hammond organ),

Cylvi M (percussion),

Simon O’Rorke (percussion),

Francesca Mountfort (cello),

Jeff Henderson (clarinet),

Blair Latham (alto sax),

Sam Prebble (violin, percussion),

Chris Palmer (electric guitar),

Chris O’Connor (drums),

Antony Milton (violin, keyboards),

Frey (laptop),

Dean Brown (drums)

and more…

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Featuring tracks from the albums

Scratched Surface (1997-1998)

in the non-idiomatic idiom in Norway (1999/2014)

The Marion Flow (1999-2001)

Mantis Shaped and Worrying (2002)

The Winter: Parataxes (2003)

Loose Autumn Moans (2003)

Live 2004 (2004)

After Maths & Sciences (2005-2006)

… if you enjoy this, try the sequels Fame & Oblivion: 2005-2012 and Other Islands: 2012-2018