2010

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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Gamelan Taniwha Jaya 2015

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Thanks to everyone who came to see Gamelan Taniwha Jaya play in Wellington recently!

Gopala

Tabuh Telu

In 2015 we’ve also performed at the Newtown Festival, the Southeast Asian Night Market, and Indonesia Day.

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Indonesian news article, 31/08/15, http://nasional.kompas.com

Here are a couple of recordings of two of the pieces we played:

https://soundcloud.com/user521325057/margapati-rehearsal-feb-2015/s-rQW6u

These are in the Balinese gong kebyar style of gamelan, which is loud, fast, intricate and modernist.  For more info see http://gamelan.org.nz/

Gamelan Taniwha Jaya is a group of New Zealand musicians dedicated to the study and performance of Balinese music. They specialise in contemporary music for Gamelan Gong Kebyar, and frequently incorporate western instruments into the ensemble.  Read the rest of this entry »

Fame & Oblivion: 2005-2012

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“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox

Now available on Spotify, iTunes, Bandcamp, Deezer etc

The second volume of fiffdimension’s best-of compilations (a sequel to Gleefully Unknown: 1997-2005) sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia, and a reinvention as Dave Black.

Whereas the first volume Gleefully Unknown: 1997-2005 showed a youthful kiwi fusion of songs with more avant-garde spoken word and instrumental pieces, Fame & Oblivion: 2005-2012 documents me in my late 20s and early 30s moving beyond these parameters.
My approach became less introspective and more journalistic – thanks to new influences from years spent living abroad in Australia, South Korea and Japan. New elements include the banjo, electronica, field recordings, multimedia performances, and touches of traditional Asian music. I also adopted the moniker Dave Black, to differentiate from my earlier works.

A third volume, Other Islands: 2012-2018  will be out in the next couple of months and include my return to NZ and more recent works.

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Featuring tracks from the albums

Ascension Band: Evolution (2005)

After Maths & Sciences (2005-2006)

South Island Sessions (2006)

First Time Around: East Asia (2008)

The Winter: 2011 (2011)

The Winter: Exit Points (2010/2015)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

and previously unheard tracks

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with

Mike Kingston (acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Hayden Gifkins (electric guitar), Nigel Patterson (hammond organ), Ryan Prebble (tone generator), Matthew Thornicroft (electric guitar), Cylvi M (vocal, field recordings, percussion, shakuhachi), Jeff Henderson (drums), Noel Meek (vocal), Clever Hansel (ukulele)

and field recordings from Australia, South Korea, Thailand, Mongolia, and Japan.

If you enjoy this, try the first volume Gleefully Unknown: 1997-2005 and the third, Other Islands: 2012-2018