2001

A Visit to the Beehive

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A pleasant surprise this week to get a small (single figure) royalty payment from APRA for radio airplay for the shortest track from The Marion Flow, recorded back in 2001!

That goes some way towards recovering the $600 or so I spent recording the album (a lot of money for a broke student back then). I can’t claim it’s a prescient political satire that predicted this week’s news events, but maybe like the album as a whole it’s just timeless…

It’s also, for fans of Wellington avant-garde music, a rare opportunity to hear Simon O’Rorke play a straight rock beat on drums!

The Beehive is the nickname for the Executive Wing of New Zealand’s government building in Wellington .

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The Marion Flow

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It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002

Turn-of-the-milennium fusion of warm acoustic pop, spoken word and postpunk discord. An almost-acknowledged New Zealand classic – of its time yet timeless.

$5 download includes hidden tracks, lyrics and original CDR artwork.

Edwards’ music is often a sculpture rather than a melodic composition. Within this chosen form, amongst all the writings rantings & poetry there’s much difficult pleasure to be had for the musically adventurous.” – Brent Cardy, Real Groove, July 2002

Produced by Paul Winstanley, & featuring Chris O’Connor (drums), Chris Palmer (electric guitars), Simon O’Rorke (percussion), the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999, and Thistle Hall, Wellington, 2001.

A companion to this album, recorded at the same sessions in Taranaki in 1999 is DDPP: Waiting For the Drummer

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Gleefully Unknown: 1997-2005

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“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005.   Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations… Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face

A compilation of songs, spoken word and instrumentals from the first half of my gloriously unsuccessful career to date… if you enjoy this, try the sequel Fame & Oblivion: 2005-2013

Featuring tracks from the albums

Scratched Surface (1998)

The Marion Flow (2001)

Mantis Shaped and Worrying (2002)

The Winter: Parataxes (2003)

Loose Autumn Moans (2003)

Live 2004 (2004)

After Maths & Sciences (2005)