1998

Scratched Surface 20th anniversary

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“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.

I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.

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20 years on I’m still creating – here’s some of what I’ve done more recently:

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Scratched Surface

Posted on Updated on

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

The debut album from fiffdimension – a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground, recorded on analogue reel-to-reel tape.

Online reissue includes download-only bonus tracks and previously unreleased material.

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From these folk/punk beginnings my style evolved into the more complex/impressionistic/visionary approach of The Marion Flow, Mantis Shaped and Worrying, and Loose Autumn MoansThese combined songwriting with an interest in free jazz and poetic modernism that sunk my commercial chances.  I stopped writing words entirely with The Winter and Ascension Band, and eventually lived abroad in Australia and Asia and reinvented myself again as Dave Black.

As of 2015 I’m back in NZ where my latest project is Ngumbang, which comes full circle – weaving together these various strands, in collaboration with Emit Snake-Beings who was one of my early influences!

Gleefully Unknown: 1997-2005

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“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005.   Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…

“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face

Now available from Spotify, Bandcamp etc

A compilation of songs, spoken word and instrumentals from the first half of my gloriously unsuccessful career to date:

by Dave Edwards (acoustic & electric guitars, harmonica, bass, banjo, vocal)

with

Mike Kingston (cello, acoustic guitar),

Paul Winstanley (fretless bass, turntables),

Simon Sweetman (percussion),

Nigel Patterson (hammond organ),

Cylvi M (percussion),

Simon O’Rorke (percussion),

Francesca Mountfort (cello),

Jeff Henderson (clarinet),

Blair Latham (alto sax),

Sam Prebble (violin, percussion),

Chris Palmer (electric guitar),

Chris O’Connor (drums),

Antony Milton (violin, keyboards),

Frey (laptop),

Dean Brown (drums)

and more…

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Featuring tracks from the albums

Scratched Surface (1997-1998)

in the non-idiomatic idiom in Norway (1999/2014)

The Marion Flow (1999-2001)

Mantis Shaped and Worrying (2002)

The Winter: Parataxes (2003)

Loose Autumn Moans (2003)

Live 2004 (2004)

After Maths & Sciences (2005-2006)

… if you enjoy this, try the sequels Fame & Oblivion: 2005-2012 and Other Islands: 2012-2018